Bush fire at Banjup, Western Australia – February 2014.

More horrific bushfires around the Perth/Fremantle area recently (Banjup to be more precise). I was on my way to shoot a winery when I observed the early smoke of what became a raging fire. I spent a while photographing the fire – the pilots of the helicopter and plane water-dumpers/water-bombers appear fantastically skilled, and also very courageous; thankfully, damage to human and home was minimal.

 

A bushfire rages at Banjup, Western Australia.

Banjup-Bushfires-2AM-005092
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup-Bushfires-2AM-005089
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-004519
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-004549
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-004771
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-004559
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup-Bushfires-2AM-004980
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-005126
Copyright Andrew McInnes. All Rights Reserved.

 

A bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-005125
Copyright Andrew McInnes. All Rights Reserved.

 

Police road block as a bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-005153
Copyright Andrew McInnes. All Rights Reserved.

 

Police road block as a bushfire rages at Banjup, Western Australia.

Banjup Bushfires 2AM-005135
Copyright Andrew McInnes. All Rights Reserved.

Thanks for swinging by and looking at my images. See you next time I post 🙂

Experimenting with steel-wool in photography – plus a Jeep Wrangler.

Last weekend I went with a mate to San Luis Pass, Galveston, Texas to experiment with molten steel as an element/feature in photo’s, and ended up combining formed steel in the image too 🙂

We had a blast experimenting with this – thanks to Jeremy Caton for his self-sacrificing work “spinning the fire” (his hands are all torn up from the rotating cable – there will be gloves next time). NOTE: The use of this steel-wool technique requires locations that will not be conducive to ignition and subsequent fire!

As this was the first time either of us had tried this technique I have included the initial “practice” images – practice for Jeremy with the steel-wool, and practice for me as I figured the required metering for this molten steel. The final image is the result of the shoot.

 

Steel-wool experiments 2AM-116079_7D

Steel-wool experiments 2AM-116079
Canon 7D with Canon 24-105mm f/4L lens. f22 for 5 seconds at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Steel-wool experiments 2AM-116083_7D

Steel-wool experiments 2AM-116083
Canon 7D with Canon 24-105mm f/4L lens. f11 for 13 seconds at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Steel-wool experiments 2AM-116091_7D

Steel-wool experiments 2AM-116091
Canon 7D with Canon 24-105mm f/4L lens. f8 for 30 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

 

Jeep-Wrangler-and-Steel-wool-2AM-116085-1106087_stacked

Jeep-Wrangler-and-Steel-wool-2AM-116085-1106087
Three image stack.
Canon 7D with Canon 24-105mm f/4L lens. ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

 

 

Galveston’s Tree Carvings – post Hurricane Ike

In September 2008, Hurricane Ike made landfall very near Galveston Island, Texas. This storm created a substantial storm surge (approaching 5 meters of sea water) which had drastic ramifications – personal, financial, and ecological – on the surrounding area, including the historic city of Galveston, TX.

Thousands of trees, primarily oak, died as a result of the salt water inundation. Several of the local property owners and Galveston’s Citizen Tree Committee commissioned “chainsaw artists” to carve and chisel their dead trees into sculptures. Here is but a sampling of the numerous and varied carvings.

 

Lost Oaks Memorial 2AM-113926_7D_blog

Lost Oaks Memorial 2AM-113926
© Andrew McInnes/2AM Photography. All rights reserved.

 

Flock of Birds 2AM-114725_7D_blog

Flock of Birds 2AM-114725
© Andrew McInnes/2AM Photography. All rights reserved.

 

Flock of Birds 2AM-114753_7D_blog

Flock of Birds 2AM-114753
© Andrew McInnes/2AM Photography. All rights reserved.

 

Geisha 2AM-113917_7D_blog

Geisha 2AM-113917
© Andrew McInnes/2AM Photography. All rights reserved.

 

Squirrel with Acorn 2AM-114497_7D_blog

Squirrel with Acorn 2AM-114497
© Andrew McInnes/2AM Photography. All rights reserved.

 

Details on Dolphin_Dorado_Moray Eel 2AM-114504_7D_blog

Details on Dolphin_Dorado_Moray Eel 2AM-114504
© Andrew McInnes/2AM Photography. All rights reserved.

 

Firehouse Dalmatian 2AM-114437_7D_blog

Firehouse Dalmatian 2AM-114437
© Andrew McInnes/2AM Photography. All rights reserved.

 

Firehouse Dalmatian 2AM-114946_7D_edited_blog

Firehouse Dalmatian 2AM-114946
© Andrew McInnes/2AM Photography. All rights reserved.

 

Mermaid 2AM-114489_7D_blog

Mermaid 2AM-114489
© Andrew McInnes/2AM Photography. All rights reserved.

 

Tin Woodsman 2AM-113921_7D_blog

Tin Woodsman 2AM-113921
© Andrew McInnes/2AM Photography. All rights reserved.

 

Tin Woodsman 2AM-114390_7D_blog

Tin Woodsman 2AM-114390
© Andrew McInnes/2AM Photography. All rights reserved.

 

Lost Oaks Memorial 2AM-113927_7D_blog

Lost Oaks Memorial 2AM-113927
© Andrew McInnes/2AM Photography. All rights reserved.

 

 

 

Fremantle, Western Australia – an assortment.

Ah Fremantle, what a place you are! The following images are an eclectic assortment including fireworks, beach, doorways, plants, a square-rigged ship, an abandoned power-generation station, and graffiti.

Hope you enjoy a non-encompassing glimpse of “Freo.”

 

Fremantle Fishing Boat Harbour – the fishing boat fleet are out of frame to the left.

Blessing of the Fleet - Fremantle 2AM-112459_7D

Blessing of the Fleet – Fremantle 2AM-112459
Canon 7D Canon with Canon 10-22mm f/3.5-4.5 lens. f8 for 8 seconds at ISO 3200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The ferris wheel in Fremantle’s Esplanade Park (also in the photo above).

Fremantle Ferris Wheel 2AM-111913_7D

Fremantle Ferris Wheel 2AM-111913
Canon 7D with Canon 24-105mm f/4L lens. f5 for 2.5 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Bathers Beach, proximal to Esplanade Park and the  Fishing Boat Harbour.

Bathers Beach 2AM-111888_7D

Bathers Beach 2AM-111888
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/20 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A beach immediately south of Fremantle – the Indian Ocean was very tranquil that day.

Cockburn Beach Dunes 2AM-112161_7D

Cockburn Beach Dunes 2AM-112161
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/160 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

This fine ship is the STS Leeuwin II (sail training ship) whose home-berth is Fremantle.

I had the great privilege and pleasure to sail onboard her as an officer in my early 20’s – I was thrilled she was at dock for a portion of my recent visit to Freo. She is a a three-masted barquentine of 55 meters (~ 180 feet) displacing 344 tonnes with a mast height of 33 meters (~ 108 feet). Having been atop the mast underway I can assure you it is quite spectacular and ‘whippy’ up there!

STS Leeuwin II 2AM-112486_7D

STS Leeuwin II 2AM-112486
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/60 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Transportation of a different variety – a Morris Minor as I recall – which is not indicative of the majority of automobiles in the area 😉
We call this one “Not CUBA” because that is precisely how it “felt” when we saw this scene.

Not CUBA 2AM-112488_7D

Not CUBA 2AM-112488
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/6 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Whilst wandering around the amazing residential side-streets I came upon this doorway which had a particularly Indian (sub-continent) look to it – or at least that is how it struck me. I think this might well be my next book-mark for my paper books.

Door and Arch 2AM-112346_7D

Door and Arch 2AM-112346
Canon 7D with Canon 24-105mm f/4 lens. f11 for 3/10 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

More doorways…

Blue Door 2AM-112079_7D

Blue Door 2AM-112079
Canon 7D with Canon 24-105mm f/4 lens. f20 for 1/4 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Blue Door and Lattice 2AM-112348_7D - Copy

Blue Door and Lattice 2AM-112348
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/20 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Still on the side-streets…

For this image I wanted to convey a soft and ethereal feel using the asparagus fern so I chose a wide-open aperture, elevated the camera and shot downwards so that only the top (nearest) frond would be in focus – I think it worked, but do you too?

Asparagus Fern 2AM-112103_7D

Asparagus Fern 2AM-112103
Canon 7D with Canon 24-105mm f/4 lens. f4.5 for 1/5 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

These next four images, three of which are plant-centric, were captured as part of a self-assignment to capture patterns and texture.

Vine on Tree Trunk 2AM-112108_7D

Vine on Tree Trunk 2AM-112108
Canon 7D with Canon 24-105mm f/4 lens. f5 for 1/20 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

I chose a large aperture (small opening) to ensure maximum depth-of-field as I needed the three-dimensional aspect to really capture what I saw. This image suggests Asia for me (the terraced gardens). How about you?

Ferns Vines and Lines 2AM-112099_7D

Ferns Vines and Lines 2AM-112099
Canon 7D with Canon 24-105mm f/4 lens. f22 for 2 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Morning light caresses a succulent from the garden of the home we were staying in.

Succulent 2AM-112354_7D

Succulent 2AM-112354
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/40 second at ISO 320.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

A driveway gate post.

Rust and Wood 2AM-112116_7D

Rust and Wood 2AM-112116
Canon 7D with Canon 24-105mm f/4 lens. f20 for 3/10 second at ISO 400. I also added a little light with a flashlight from the right hand side to add depth to the image.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Street Kiss # 1

This street art/graffiti is by “REBOOT” – think about it…

Street Kiss #1 2AM-112158_7D - Copy

Street Kiss #1 2AM-112158
Canon 7D with Canon 24-105mm f/4 lens. f8 for 1/320 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Street Kiss # 2

Street Kiss #2 2AM-112366_7D

Street Kiss #2 2AM-112366
Canon 7D with Canon 24-105mm f/4 lens. f8 for 1/320 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A mate of mine, Paul Waite (http://www.paulwaitephotography.com/#) – a phenomenal photographer based in Fremantle – took me to the abandoned (and VERY eerie) Fremantle Power Station for a light-painting shoot. Unfortunately access is prohibited so we couldn’t get inside and shoot the amazing ruined interior and all its rust, glass, and graffiti. However, it became an exercise in capturing the forbidden access to this huge old building and surrounds.

For this light-painting the building was already illuminated by some street lights over a rise to the right of frame, hence the two-toned building (I thought it was not only fortuitous how it matched the building’s horizontal lines, but also added an extra dimension to the “wierdness” that eminated from this place). I used a LED light to bring attention to the fence (the blue or ‘cool temperature’ of the LED lights adds to the cold metallic physical structure of the fence and razor-wire and the mental picture of its purpose)!

South Fremantle Power Station 2AM-113429_7D

South Fremantle Power Station 2AM-113429
Canon 7D Canon with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 30 seconds at ISO 100. Light-painting by Andrew McInnes.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

To close this particular photo-blog I have included three fireworks images from the Blessing of the Fleet ceremony conducted in The Fremantle Fishing Boat Harbour. Two of these images are 1 second exposures, the other is a 4 second exposure – based on effect I was seeking plus the bahavior/pattern of each particular firework.

Blessing of the Fleet - Fremantle 2AM-112469_7D

Blessing of the Fleet – Fremantle 2AM-112469
Canon 7D Canon with Canon 10-22mm f/3.5-4.5 lens. f8 for 1 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Blessing of the Fleet - Fremantle 2AM-112477_7D

Blessing of the Fleet – Fremantle 2AM-112477
Canon 7D Canon with Canon 10-22mm f/3.5-4.5 lens. f8 for 1 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Blessing of the Fleet - Fremantle 2AM-112472_7D

Blessing of the Fleet – Fremantle 2AM-112472
Canon 7D Canon with Canon 10-22mm f/3.5-4.5 lens. f8 for 4 seconds at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Bye for now.

 

 

“Photo’s from Perth.” Western Australia.

This is  a “botanical” looking photo-blog – I am drawn to the fascinating textures and intricacies of the flora found in Australia and the apparent contrast of coarse vs. delicate. All these images, excepting the view of the city, were taken at Kings Park, Perth.  http://www.bgpa.wa.gov.au/kings-park/

This is in no way presented as a thorough representation of the vast floral variety of Western Australia, let alone the whole continent.

All images are Copyright © Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Downtown Perth and the Swan River.
Viewed from South Perth.
Canon 7D with Canon EF24-105mm f/4 lens.
Copyright © Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Resplendent, ripe, and rough.

Ashby’s Banksia 2AM-29084.
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This Hooker’s Banksia flower is yet to open and reveal its intricate nectar laden bounty.

Hooker’s Banksia 2AM-110782
Kings Park, Perth.
Canon 7D with Canon 24-105mm f/4 lens.
 © Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This Hooker’s Banksia flower has commenced its “great reveal.”

Hooker’s Banksia 2AM-110783
Kings Park, Perth.
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Woolly Orange Banksia 2AM-110785.
Kings Park, Perth.
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Each of these “toes” will present a beautiful flower soon after this stage of development.

Kangaroo Paw 2AM-110812
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Not a masterpiece, just found this to be interesting.

Karri Bark (Texture and Shadow) 2AM-29056.
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

There is “liquid gold” in there.

Mallee Eucalyptus 2AM-110900.
Kings Park, Perth.
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Aptly named flower/plant I thought: “Prickly Toothbrushes.”

Prickly Toothbrushes 2AM-29205.
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This Red Wattlebird is among a Pouched Grevillea plant.

Red Wattlebird 2AM-29142.
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

There are no hummingbirds in Australia. Instead, along with copious insects there are numerous bird families/species which appear to occupy that niche – the Red Wattlebird is but one.

Red Wattlebird 2AM-29150.
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

“Silver Princess” flowers in development. I can “feel” why it is named so – hope you can too.

Silver Princess 2AM-29211.
(of the Eucalyptus genus)
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The flowers are very dense and shockingly vivid against the soft colors of the leaves.

Silver Princess 2AM-29213.
(of the Eucalyptus genus)
Kings Park, Perth.
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Flowers spent – all that remains…

Silver Princess 2AM-110836.
(of the Eucalyptus genus)
Kings Park, Perth.
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The bark of this tree species is stunning to me.

Silver Princess 2AM-110816.
(of the Eucalyptus genus)
Kings Park, Perth.
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

35 images over 35 hours – in the heart o’ Texas

Thirty five hours driving and photographing around Eden (and Brady, Pontontoc, Castell, and Menard), Texas with Ken Zoller.

Although my total trip time was 35 hours, the images in this blog essentially follow the progression of actual shooting time from 11 pm on June 1st through 1 am on June 3rd, though the order of images may not necessarily be strictly as shot.

 

Pontotoc Ruins 2AM-110394
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens.f5.6 for 46 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Pontotoc Ruins 2AM-110400
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 46 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Pontotoc Ruins 2AM-110391
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f4 for 30 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Pontotoc Ruins 2AM-110390
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Rural Dawn 2AM-110403
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Hay Bales 2AM-110412
Canon 7D with Canon 24-105mm f/4L lens. f22 for 0.8 seconds at ISO 200.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wild Oats 2AM-110425
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/125 seconds at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wild Oats 2AM-110432
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/200 seconds at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Locust and Thistle 2AM-110423
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Coreopsis 2AM-110452
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Sunflower and Ladybird Beetle 2AM-110488
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/640 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Sunflower and Ladybird Beetle 2AM-110490.
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/800 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Thistle and Coreopsis 2AM-110455
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/15 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Thistle and Sunflower 2AM-110468
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Ranch and Wildflowers and Old Implement 2AM-110546
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Ranch and Wildflowers and Old Implement 2AM-110547
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Ranch and Wildflowers and Old Implement 2AM-110556
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Wire 2AM-110495
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Lake 2AM-110499
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/15 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Sky 2AM-110541
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Fence 2AM-110506
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Fence 2AM-110507
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/50 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Fence 2AM-110508
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/50 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Yucca 2AM-110503
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/40 second at ISO 400, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Wildflowers and Yucca 2AM-110505
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Ranch Wildflowers and Trees 2AM-110522
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/40 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Ranch Wildflowers and Fence 2AM-110532
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/25 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Ranch Wildflowers and Trees panorama
Two-image stitch. Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/30 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Pontotoc Shed 2AM-110573
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Pontotoc Shed 2AM-110588
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Pontotoc Ruins 2AM-110605
Light direction by Andrew McInnes (exterior light painting by Andrew McInnes, interior light painting by Ken Zoller).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 20 seconds at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Presidio de San Saba 2AM-110607
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 200.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Presidio de San Saba 2AM-110622
Light direction by Andrew McInnes – interior light painting by Andrew McInnes, exterior walls light painting by Ken Zoller.
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 8 seconds at ISO 640.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Presidio de San Saba 2AM-110624
Light by Andrew McInnes and waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 8 seconds at ISO 640.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

Presidio de San Saba 2AM-110625
Waxing gibbous moon.
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 8 seconds at ISO 640.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

 

Thanks for taking this photo journey with me!

My images are available through my website:
http://andrew-mcinnes.artistwebsites.com/

Two days, two nights, and 942 miles in Central Texas.

‘Tis wildflower season in Texas! I was fortunate to have a few days and nights to spend traipsing around the Llano area. Truly beautiful, especially after the brutal drought of 2011. Thanks to Ken Zoller for his scouting and company during parts of this shoot.
Enjoy.

“Good Morning”
Enchanted Rock State Natural Area. Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/100 second, hand-held. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Spiderwort”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f8 for 1/20 second and Kinko extension tubes, Manfrotto tripod and ball-head. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Claret-cup cactus”
Canon 30D and Canon 100-400mm f4.5-5.6 lens and Kenko extension tubes. f11 for 1/4 seconds, Manfrotto tripod and ball-head. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Bluebonnet Highway”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f8 for 1/400 second on Manfrotto tripod and ball-head. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Rural Road”
Canon 7D with Canon 17-40mm f4 lens. f13 for 1/125 seconds, hand-held. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Rusty Barn”
Canon 7D with Canon 17-40mm f/4 lens. f16 for 1/50 second, hand-held. ISO 100.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Cactus and Bluebonnets”
Canon 30D with Canon 100-400mm f4.5-5.6 lens and Manfrotto tripod and ball-head. f11 for 1/8 second. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Stone fence and Poppies”
Canon 7D and Canon 17-40mm f4 lens. f13 for 1/125 seconds, hand held. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“White Poppy”
Canon 30D with Canon 100-400mm f4-5.6 lens and Kenko extension tubes. f11 for 1/200 second, Manfrotto tripod and ball-head. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Hay Baby, nice rack!”
Texas Longhorn cattle.
Canon 30D with Canon 100-400mm f4-5.6 lens. f7.1 for 1/100 second, Manfrotto tripod and ball-head. ISO 500.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Unexpected Interaction”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f11 for 1/320 second, hand-held. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Poppies and Fence”
Canon 7D with Canon 17-40mm f4 lens. f14 for 1/160 second, hand-held. ISO 100.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Sandy Creek”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f7.1 for 1/40 second, hand-held. ISO 800.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Stockyards” – a light-painting.
Canon 7D with Canon 10-22mm f3.5-4.5 lens. f4.5 for 51 seconds and Manfrotto tripod and ball-head. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

 

Hope you liked the journey. My images are available through my website:
http://andrew-mcinnes.artistwebsites.com/

 

 

 

 

Some images from March, 2012

I haven’t been able to get out and about as much as I would like to lately. However, here is a (rather eclectic) assortment of images taken during March, 2012.

Texas Bluebonnets heralding Spring.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f18 at 1/25 second - hand-held. ISO 400.

 

Ranch-road bridge after the storm, near Chappell Hill, Texas.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f11 at 1/25 second. ISO 400.

 

Two Curves - near Chappell Hill, Texas.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f11 at 1/40 second. ISO 250.

 

Bradford Pear trees and barn. Great Smoky Mountains foothills - Tennessee.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f11 at 1/320 second. ISO 200.

 

More Bradford Pear trees. Great Smoky Mountains foothills - Tennessee.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f11 at 1/100 second. ISO 640.

 

Barn signage. Great Smoky Mountains foothills - Tennessee.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f11 at 1/160 second. ISO 640.

 

Barn. Great Smoky Mountains foothills - Tennessee.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f11 at 1/200 second. ISO 200.

 

Back in Texas - between Anahuac and High Island.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f14 at 1/500 second - hand-held. ISO 250.

 

Red-winged Blackbird on papyrus plant in our yard (I am a bird lover after all).
Canon 7D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f5.6 at 1/250 second. ISO 400.

 

Red-winged Blackbird on golden dewdrop plant in our yard.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f5.6 at 1/80 second. ISO 500.

 

Let’s finish with a series of “baby” images:

What's not to like about babies and their little feet and toes?
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f6.3 at 1/4000 second - don't ask me why ( I had just gone from indoors to outdoors and hadn't adjusted camera settings yet). ISO 800, hand-held. This image has had the background cloned to black for effect - extremely rare that I would alter an image other than standard image processing.

 

Daddy's big toe = baby's foot.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f8 at 1/320 second - handheld, ISO 1000 .

 

Mother's hand and baby's foot.
Canon 7D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f5 at 1/320 second - handheld. ISO 1600.

A reminder that my images are available for sale through my website:

http://andrew-mcinnes.artistwebsites.com/

 

Bush Fire – Photo Essay

I recently observed, from afar unfortunately, a light-crude oil tank fire (and explosion) on Galveston Island which got me to reflecting on a rural fire on and around a ranch we were visiting in King County, Texas in March 2008, and also to ponder the horrific Texas fires of 2011.

 Here is my photo-essay of this ranchland fire.

The source of the fire ©Andrew McInnes. All rights reserved.

 

Black and gray aluminum and steel is all that remains ©Andrew McInnes. All rights reserved.

 

Still early in the progression ©Andrew McInnes. All rights reserved.

 

Closing the road ©Andrew McInnes. All rights reserved.

 

An emergency responder watches as fire strengthens ©Andrew McInnes. All rights reserved.

 

Intensifying ©Andrew McInnes. All rights reserved.

 

First attempt to inhibit the fire and restrict it to the short side-of-the-highway grass ©Andrew McInnes. All rights reserved.

 

Fire "jumped" the breaks beyond the grass and is now fueled by abundant juniper ©Andrew McInnes. All rights reserved.

 

Loud and hot - and spreading rapidly ©Andrew McInnes. All rights reserved.

 

What was a calm day is now locally very windy as the fire continues to rampage ©Andrew McInnes. All rights reserved.

 

Super hot and travelling quickly as the juniper bushes whistle then explode ©Andrew McInnes. All rights reserved.

 

Tumultuous - it soon became very dark and very orange ©Andrew McInnes. All rights reserved.

 

Visibility satisfactory for now ©Andrew McInnes. All rights reserved.

 

Soon there would be numerous vehicle crashes due to limited visibility ©Andrew McInnes. All rights reserved.

 

Fire-fighting helicopter heading to nearby earthen water tank to refill before returning to the fray ©Andrew McInnes. All rights reserved.

 

Reinforcements - this plane flew in from Oklahoma to combat the fire ©Andrew McInnes. All rights reserved.

 

Fire retardent being deployed ©Andrew McInnes. All rights reserved.

 

Orange glow from the fire below as the plane circles for another retardent-drop run ©Andrew McInnes. All rights reserved.

 

View from the homestead as night descends ©Andrew McInnes. All rights reserved.

 

Serenity - night has fallen and the homestead is spared (long exposure) ©Andrew McInnes. All rights reserved.

 

 

 

Recent shots from surrounding area.

Per a previous “encouragement” by my photography mentor – Wyman Meinzer – to see the beauty where I am, I have been trying to shoot several times each week, regardless of the weather, wind, and anthropomorphic elements cluttering the scene. I figure I better just run with what there is to capture. Here is an assortment which I hope you enjoy.

I reckon you weren't expecting this though! Perhaps Deere & Company would like this one for their advertising? Wishful thinking.

 

More tractors heading out from the Port of Galveston.

 

Wetlands proximal to our neighborhood (same area in previous blog: "blessed-rain...").

 

Same area as above but this time I was going for the "African Serengeti" feel (ignore the modern looking "huts").

 

Serengeti 'ish. (Smith Point, Galveston Bay).

 

The view from our back deck/porch - it seems it hasn't been calm for months. The glow on the clouds is a result of Texas City petrochemical plants - thankfully we are located upwind of this.

 

These lovely White Pelicans are only in the area while they overwinter.

 

White Pelican preening.

 

Nearby Brazoria National Wildlife Refuge (BNWR). This area was, until very recently, dry enough to run a tractor and plow through. However, the Houston area has received in excess of 11 inches of rain for the first 8 weeks or so of 2012.

 

BNWR again.

 

Endangered Kemp's Ridley sea turtle in rehabilitation at Texas A&M University at Galveston's Sea Life Facility.

 

Kemp's Ridley sea turtle (same individual as above).

 

Cold and foggy morning at Texas A&M University at Galveston campus.

 

Definitely NOT the Serengeti. This is the same shrimp boat featured in a previous blog ("Texas City Dusk..."). I was limited on time and the clouds were starting to look wonderful so chose to re-shoot the trawler.

 

Simple but interesting to me.

 

Sunrise and an offshore rig in Galveston Ship Channel.

 

Atmospheric clouds - as opposed to the cloud of swarming mosquitos as the missus' and I tried to enjoy a cold beverage watching these clouds and the dusk.

 

I took this picture on Valentine's Day of two red-eared slider's "smooching" (please indulge my foray into anthropomorphism) - must be a real "toe-curler" of a kiss (check out the right-rear foot of the big one on the right).