A few quick photo shoots in Halifax and surrounds – Nova Scotia, Canada.

I recently undertook an express visit with my wife to visit friends who were staying in Halifax for a period. I only managed to get out and photograph on a few occasions but was enamored of the area. Magnificent vistas, abundant maritime history, so ripe with scenery and scenes; I would have thoroughly enjoyed more time exploring and photographing. Nevertheless, here is a sampling of images from the very few times I was able to go walkabout. I hope you enjoy!

This is the first image I captured  – I love the posture, gait, and apparent enthusiasm of the youngster; the dog’s tail; and the fact that the father had a bright red sweater on (excellent for ‘pop’ of people out in nature).

Halifax 2AM-000802

Halifax 2AM-000802
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f4.5 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A chicane of sorts …

Halifax 2AM-000834

Halifax 2AM-000834
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f5.6 for 1/2000 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Although we witnessed some glorious fall color, it was the same old situation of “you should have seen it last week!” 🙂
the next two images include a birch tree – the bark and patterning thereof fascinated me.

Halifax 2AM-000851

Halifax 2AM-000851
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000860

Halifax 2AM-000860
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/400 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Definitely much color still available around the area, even if the leaves had fallen.

Halifax 2AM-000887

Halifax 2AM-000887
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4.5 for 1/1600 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early in our visit our hosts took me out for a brief but wonderful excursion to Herring Cove. Although very overcast and gloomy, the light was lovely for scenes that didn’t include much, if any, sky. After this mini-hike it was time for lunch so we stopped in at “Now We’re Cookin’!” where I had the superb gastronomic pleasure of a dozen perfectly fried and ultra-delicious “Digby Clams.”

Here are a series of images from the Herring Cove Provincial Park Reserve from that visit:

I call this image “The Admiral” – hopefully you can deduce why 🙂  I captured one of our hosts overlooking a temporarily tranquil Atlantic Ocean – it was a fleeting opportunity to get the shot, so I did not have time to adjust the camera settings, hence the very slow shutter speed for a hand held shot. Thankfully I managed to be stable enough for a sharp image.

Herring Cove 2AM-000977

“The Admiral” – Herring Cove 2AM-000977
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early into the gorgeous walk I found this scene and liked the various elements so much – hence this image to capture it 🙂

Herring Cove 2AM-000976

Herring Cove 2AM-000976
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Loved these rosehip berries!

Herring Cove 2AM-000982

Herring Cove 2AM-000982
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Herring Cove 2AM-001009

Herring Cove 2AM-001009
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Same general scene, different interpretation. My photographic mentor drummed into me to shoot and shoot and shoot a scene from numerous angles/interpretations, with a strict caveat that each composition/interpretation must be appealing to me, not just shooting a bunch and ‘hoping’ one of them will be ‘good’.

Herring Cove 2AM-001011

Herring Cove 2AM-001011
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A portion of the walking trail.

Herring Cove 2AM-001027

Herring Cove 2AM-001027
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

More of the meandering walking trail and a very typical scene of this splendid coast.

Herring Cove 2AM-001025

Herring Cove 2AM-001025
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

’twas a very blustery gloomy day and the smart one here (that would be me 🙂 ) decides to take a multi-hour exploratory walk around the Halifax waterfront to take in some of the history of this place. When I say it was blustery, it was really blowing! There is a bit of a tale from my home country that goes something like this: “Tie a brick onto a long piece of line and hang it so that it is free to swing. If the brick/string is vertical, there isn’t enough wind to go sailing; If the brick/string are horizontal, then perhaps there is a little too much wind for a sail; Anywhere in between = just right for a sail.” Well, the brick would have been darn near horizontal whilst I wandered around that particular day 😉
This block and blue line appealed to me as they hung and swung, suspended above the dark cold water. Hope you enjoy it too.

Halifax 2AM-000914

“Block and Blue” – Halifax 2AM-000914
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

I find the marine flora and fauna of cold water habitats fascinating, and Nova Scotia in early winter did not disappoint me.This image, and the mussel image following it, were taken on a bucking and rolling floating dock that was doing its non-level best to ensure that either I fell in the cold cold water, or dropped the camera into said water, or fail to get a sharp image of the subjects that were interesting me. I am very thankful that the 5D Mark III handles high ISO noise so bloody well!

Halifax 2AM-000931

Halifax 2AM-000931
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 3200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000937

Halifax 2AM-000937
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Some scenes need capturing, despite the quality (or lack thereof) of available light; I thought this public art installation the Halifax Waterfront Boardwalk to be such a scene. This public art installation is a collaboration between Chris Hanson and Hendrika Sonnenberg. One of the lampposts (at rear in this image) is peeing in the ocean. The other two are on their way home after drinking too much – the closest has stumbled and fallen, the other is bending over to check if all is okay with the fallen one.

Halifax 2AM-000946

“Drunken Street Lights” – Halifax 2AM-000946
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Boardwalk boards (and nails)

Halifax 2AM-000958

Halifax 2AM-000958
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Whilst she isn’t particularly old, this yacht is reminiscent of a time apparently long gone, when vessels actually had lovely lines! Plus, what’s not to like about bowsprits, jib-booms, bowlines, and vertically seamed sails with stitched lines along the leech?

Halifax 2AM-000968

Halifax 2AM-000968
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/125 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A new day, and, well, there were some trees still shedding their colorful leaves, and a stunningly sky, so why not?

Halifax 2AM-001342

Halifax 2AM-001342
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/3200 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-001400

Halifax 2AM-001400
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/2500 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Dusk was rapidly descending on a bloody chilly day when I happened upon this lovely little yawl at rest on its mooring in a secluded and tranquil inlet.

Halifax 2AM-001083

Halifax 2AM-001083
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Sometimes “hard to figure out at first” is intriguing – to me at least 🙂

Halifax 2AM-001084

Halifax 2AM-001084
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A revisit to Herring Cove because the light was “cleaner.”

Herring Cove 2AM-001036

Herring Cove 2AM-001036
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A little ‘overflow’ creek from Powers Pond to the Atlantic Ocean (via Herring Cove).

Herring Cove 2AM-001043

Herring Cove 2AM-001043
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To me these next two images typify coastal fishing hamlets.

Herring Cove 2AM-001038

Herring Cove 2AM-001038
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To my eye, when strolling around town, this image was very appealing. Initial concerns about it being “too busy” rapidly dissipated – likely due to the location of the colored elements, the reflections, and the leading line of the dock. Perhaps I am mistaken?

Herring Cove 2AM-001108

Herring Cove 2AM-001108
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/250 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Speaking of reflections… here are two more from the walking trail at Herring Cove Provincial Park Reserve.

Herring Cove 2AM-001115

Herring Cove 2AM-001115
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/60 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A stunning blue sky, granite, and grass.

Herring Cove 2AM-001062

Herring Cove 2AM-001062
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

My final image from Herring Cove showing one side of the entrance to Herring Cove; the great blue yonder is the fabled ornery Atlantic.

Herring Cove 2AM-001066

Herring Cove 2AM-001066
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

On the coldest day of the winter thus far (it having snowed the first snow of the season the previous night), we ventured on a quick trip down to Peggy’s Cove – a gorgeous sunset, some ice in the rocky depressions of the granite headland, and it was blowing stink, and we were right on the edge of the Atlantic. Not blowing quite strong enough for there to be whitecaps in the toilet, but darn near!
The following images were all captured within roughly one hour, and again, I present 4 images with the lighthouse in it, each sufficiently appealing to me.

There were some strange light behavior happenings last evening during dusk at Peggy’s Cove – one with my lens glare (this image), the other some neat atmospherics (the next image).

Peggy's Cove 2AM-001471

Peggy’s Cove 2AM-001471
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/200 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.


The three of us who were there together all were mesmerized by the vertical shaft of light – normally I expect to see crepuscular rays, but this instance had only the vertical element. As it was developing I was scampering around trying to find any element for foreground interest. “Beam me up” or  perhaps a 
“batman-like beam.” 😉

Peggy's Cove 2AM-001488

Peggy’s Cove 2AM-001488
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 100.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001474

Peggy’s Cove 2AM-001474
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001485

Peggy’s Cove 2AM-001485
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/8 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

And to wrap up this visit to Halifax, Nova Scotia – Canada, here is a light-painting of the lighthouse at Peggy’s Cove – the primary purpose of the quick evening trip to Peggy’s Cove. I hope you enjoy this light-painting image – is was certainly the most difficult to make: my wife and our host said I looked a bit like a mountain goat running around over the rocks and boulders in the dark whilst painting the scene with my trusty Q-beam II Million power flashlight.

Peggy's Cove 2AM-001515

A light-painting – Peggy’s Cove 2AM-001515
Canon 5D Mark III with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

 

 

 

 

 

 

Light-painting: before-and-after shots in West Texas.

I have a fondness for photographing so-called “light-paintings” and sometimes they are the only keeper shots I return with if the available light doesn’t have the magic quality. Here are two different scenes illustrating why sometimes a light-painting can bring an otherwise flat scene to life. (NOTE: for these particular images the moon was in its first quarter and therefore contributed to the overall scene – I prefer no moon for these shots but sometimes my free time doesn’t align with those preferences).

DISCLAIMER: In no way do I present myself as an expert on this technique – or anything photographic. Rather, I present these images and technique to illustrate how I capture light-painting images. Hope you enjoy 🙂

This first pair of images of boulders (1a and 1b) were taken roadside – I desperately wanted to shoot this from the private ranch on which they are located but was denied permission. Nonetheless, I found the subject/scene sufficiently interesting and returned and found this composition, without trespassing 🙂

The second pair of images (2a and 2b) were taken later the same evening as the pair above.

 

Image #1a:

A ‘blank’ shot (no light-painting) to determine the exposure I wanted for the sky and to check the composition. VERY ordinary!

Rockpile Ranch 2AM-114640_7D_1a

Rockpile Ranch 2AM-114640_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 25 seconds at ISO 3200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Image #1b:

Resultant light-painting image.

Rockpile Ranch 2AM-114641_7D_1b

Rockpile Ranch 2AM-114641_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f4 for 30 seconds at ISO 1600.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

For the fence posts ‘painting’ I used a  MAG-LITE  ® with a home-made snoot to reduce light spill on the surrounds – approximately 3 seconds of light-painting. The boulders were ‘painted’ for approximately 27 seconds using a Brinkmann Q-Beam ® 3 million  candlepower spotlight (rechargeable and inexpensive at approximately $40). This image was taken at 7:50 PM. Color temperature for 1a and 1b was 4000.

 

Image #2a:

A ‘blank’ shot (no light-painting) to determine the exposure I wanted for the sky and to check the composition. As such no light was added to the scene. Again, VERY ordinary!

Davis Mountains State Park 2AM-114643_7D_2a

Davis Mountains State Park 2AM-114643_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f4 for 20 seconds at ISO 1600.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Image #2b:

Resultant light-painting image.

Davis Mountains State Park 2AM-114647_7D_2b

Davis Mountains State Park 2AM-114647_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5 for 30 seconds at ISO 1600.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

After the ‘blank’ shot I made a slight adjustment to the composition to reduce foreground and increase sky/stars. For the external ‘painting’ I used a  MAG-LITE  ® with a home-made snoot to reduce light spill on the surrounds – approximately 25 seconds of light-painting. The interior was ‘painted’ for approximately 2 seconds using quick pulses from a Brinkmann Q-Beam ®. This light was used because of its inherent warm color, to simulate the glow from a fire. This large light is what I typically use when the subject is not immediately proximate. This image was taken at 9:20 PM. Color temperature for images 2a and 2b was 3200.

Any comments or thoughts are appreciated. My appreciation to Ken Zoller for his locations “guiding” by cell-phone 😉

I am soon to post a photo-blog that highlights some of my light-paintings – please stay posted 🙂

 

 

 

Margaret River Region – Australia’s South West

A region of diversity famous for its premium wines and stunning wineries, picturesque rural vistas, stunning forests, spectacular coast with both tranquil beaches and world-class surfing, plus fantastic views and proximity to the southward migration of humpback and other whales. Welcome to the Margaret River Region of Australia’s South West.

 

This is Canal Rocks under heavy swell.

Canal Rocks 2AM-113306_7D

Canal Rocks 2AM-113306
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/2 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Canal Rocks 2AM-113270_7D

Canal Rocks 2AM-113270
Canon 7D with Canon 24-105mm f/4L lens. f20 for 0.3 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely “chute” with abundant epiphytes – an offshoot of the “canal”.

Canal Rocks 2AM-113689_7D

Canal Rocks 2AM-113689
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/40 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The view as you descend to Canal Rocks.

Canal Rocks 2AM-113217_7D

Canal Rocks 2AM-113217
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely drive through a karri forest.

Karri Forest 2AM-113017_7D

Karri Forest 2AM-113017
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/15 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Boranup Karri Forest.

Boranup Karri Forest 2AM-111945_7D

Boranup Karri Forest 2AM-111945
Canon 7D with Canon 24-105mm f/4L lens. f9 for 1/30 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The now ruined Hamelin Bay Jetty was built in 1882 to service the local timber mills.

Hamelin Bay 2AM-113078_7D

Hamelin Bay 2AM-113078
Canon 7D with Canon 24-105mm f/4L lens. f5.5 for 1/1000 seconds at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Proximal to the jetty ruins is a small public boat ramp.

Hamelin Bay 2AM-113093_7D

Hamelin Bay 2AM-113093
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This is the other portion of Hamelin Bay.

Hamelin Bay 2AM-113080_7D

Hamelin Bay 2AM-113080
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/320 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

If you are lucky (and perhaps brave), you might be fortunate enough to have the local stingrays pay you a visit – as they did here to my lovely wife. Although massive, these are “gentle” creatures – the worst you may experience is them nom-nomming (chewing) on your toes 🙂

Smooth Stingray - Hamelin Bay 2AM-113560_7D

Smooth Stingray – Hamelin Bay 2AM-113560
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/200 second at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The “business end” of a massive ray (and another coming in from the back).

Smooth Stingray - Hamelin Bay 2AM-113530_7D_Facebook

Smooth Stingray – Hamelin Bay 2AM-113530
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/320 second at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Sugarloaf Rock, Cape Naturaliste.

Sugarloaf Rock 2AM-113201_7D

Sugarloaf Rock 2AM-113201
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/100 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Injidup Point, not far from the mouth of the Margaret River.

Injidup Point 2AM-113094_7D

Injidup Point 2AM-113094
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Injidup Point.

Injidup Point 2AM-113109_7D

Injidup Point 2AM-113109
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/400 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dune and clouds at Moses Rocks.

Moses Rocks Beach 2AM-113336_7D

Moses Rocks Beach 2AM-113336
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/100 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Yallingup, a world famous surf-break which was quite that day, at dusk just before we nestled among the boulders to enjoy a quite beverage and hors d’oeuvres – magical.

Yallingup 2AM-111960_7D

Yallingup 2AM-111960
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A little color and softness among the colorful rocks at Yallingup.

Yallingup 2AM-111964_7D

Yallingup 2AM-111964
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/5 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Meelup Beach, a glorious place to take a dip.

Meelup Beach 2AM-113746_7D

Meelup Beach 2AM-113746
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/30 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Picnic table with a view – Meelup Beach.

Meelup Beach 2AM-113737_7D

Meelup Beach 2AM-113737
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Castle Rock, just around the point from Meelup Beach. Climbing the point nearby allows for unfettered views of Geographe Bay and the Indian Ocean.

Castle Rock 2AM-113118_7D

Castle Rock 2AM-113118
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 seconds at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Same feature, different view/feel.

Castle Rock 2AM-113120_7D

Castle Rock 2AM-113120
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 seconds at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A ketch at anchor in the tranquility afforded by Geographe Bay – viewed from “whale lookout” at Castle Rock.

Castle Rock 2AM-113351_7D

Castle Rock 2AM-113351
Canon 7D with Canon 24-105mm f/4L lens. f16 for 1/80 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This lovely tranquil beach with its clear and clean water also has portions dotted with boulders, some of which are partially submerged.

Castle Rock 2AM-113126_7D

Castle Rock 2AM-113126
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/100 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

More rocks, first by daylight, then after dusk – with light added by flashlight.

Castle Rock 2AM-113366_7D

Castle Rock 2AM-113366
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Hues of blue – a light-painting.

Castle Rock 2AM-113415_7D

Castle Rock 2AM-113415
Canon 7D with Canon 24-105mm f/4L lens. f8 for 20 seconds at ISO 100 – a light-painting.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dusk at Castle Rock.

Castle Rock 2AM-113172_7D

Castle Rock 2AM-113172
Canon 7D with Canon 24-105mm f/4L lens. f22 for 13 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Ah, the primary image I originally went to Castle Rock for: A light painting with stars and meteorite.
I had to rock-hop in a mad dash once I set the self timer for the exposure in order to position myself such that the shadows/light source were creating the feel I wanted. Thankfully no falls or broken ankles!

Castle Rock 2AM-113197_7D

Castle Rock 2AM-113197
Canon 7D with Canon 24-105mm f/4L lens. f4.5 for 30 seconds at ISO 3200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

 

 

Great Southern Region – Australia’s South West

The Great Southern Region of Western Australia’s South West contains rolling pastoral landscapes, mountain ranges, rivers and streams, and forested cliffs abutting the seemingly relentless Southern Ocean. There are also delightful cosy coves, tranquil inlets, and calm bays – it is primarily a few portions of the stunning coast that I share in this photo-blog.

 

Aptly named “Elephant Rocks.”

Elephant Rocks 2AM-112553Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Elephant Rocks 2AM-112553
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This is the lovely tranquil cove adjacent to (western side) Elephant Rocks.

Elephant Rocks - Denmark 2AM-112563Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Elephant Rocks – Denmark 2AM-112563
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool, on the eastern side of Elephant Rocks, is rated one of Western Australia’s most idyllic beaches.

Greens Pool - Denmark 2AM-112593 Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112593
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Winter rain approaches the tranquil and very torquoise Greens Pool.

Greens Pool 2AM-112550Canon 7D with Canon 24-105mm f/4L lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112550
Canon 7D with Canon 24-105mm f/4L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool - Denmark 2AM-112588Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112588
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool - Denmark 2AM-112591Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112591
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool - Denmark 2AM-112572Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112572
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool 2AM-112587Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112587
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A light-painting amidst a cold winter rain – Wilson Inlet.

Wilson Inlet 2AM-112649_7D

Wilson Inlet 2AM-112649
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Sunset near “The Gap” and “Natural Bridge.”

The Gap 2AM-112517Canon 7D with Canon 24-105mm f/4 lens plus Cokin Z-pro Graduated Neutral Density filters.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The Gap 2AM-112517
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Coastal wildflowers and scrub near “The Gap” and “Natural Bridge.”

The Gap 2AM-30178Canon 7D with Canon 10-22mm f/3.5-4.5 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The Gap 2AM-30178
Canon 7D with Canon 10-22mm f/3.5-4.5 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely gentle swell enters Lowlands Beach.

Lowlands Beach 2AM-112540Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Lowlands Beach 2AM-112540
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

Blessed Rain: dusk from “Scenic Galveston” site, Galveston County

Ah, finally some precipitation – only recorded 1/2″ but the light was phenomenal as a band of clouds and associated winds caressed the evening.

 

Rain over the salt-marsh. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 1000 (the wind was absolutely howling, very nearly blowing the tripod, and me, over).

 

Wind and clouds over spartina. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 1000 (again, the wind was making it very challenging to stand, let alone keep the camera steady).

 

Granite, grass, clouds, and color... a glorious evening. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 500 (a little respite from the breeze).

 

Vibrant hues over Bayou Vista. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 800

 

 

 

 

Serenity in the Great Smoky Mountains National Park

A brief vacation in Tennessee enabled me time to go “shoot” and yielded some images from a quaint stream – well, it is named the “Roaring Fork” but was in a non-roaring flow when I explored it. Hope you find peace and solace through these sample images.

Dusk falls over the Great Smoky Mountains National Park. Canon 7D with Canon EF 100-400mm f/4.5-5.6L lens at ISO 100.

 

“Reflections on a stream #1.” Canon 7D with Canon EF 100-400mm f/4.5-5.6L lens at ISO 100.

 

Fungi thriving in moist, cool, shaded environment. Canon 7D with Canon EF-S 10-22 mm f/3.5-4.5 lens at ISO 100.

 

Moss, water, and quite ambience. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 400.

 

Mossy boulders and stream. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 400.

 

Cold water trickling and descending. Canon 7D and Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 250.

 

“Meandering among metamorphics #1.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

Cool, moist habitat and moss flourishes. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Metamorphic meanderings #1.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Tranquility above Dali.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Tranquility, sans Dali.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Reflections on a stream #2.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“More metamorphic meanderings.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Flowers and falls.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 400.