Two views of Perth, Western Australia – January 2014

A bit of a delay in getting these two images up :/

Two views of the Perth skyline across the Swan River. I hope you enjoy them.

Perth-2AM-004259-EOS-5D-Mark-III

Street light illuminating Perth 😉
Perth 2AM-004259
Copyright 2014 Andrew McInnes. All Rights Reserved.

 

Perth-2AM-004262-EOS-5D-Mark-III

Park bench with a view to commence some pondering 🙂
Perth-2AM-004262
Copyright 2014 Andrew McInnes. All Rights Reserved.

 

 

That is it for now. Cheers.

 

 

 

A few quick photo shoots in Halifax and surrounds – Nova Scotia, Canada.

I recently undertook an express visit with my wife to visit friends who were staying in Halifax for a period. I only managed to get out and photograph on a few occasions but was enamored of the area. Magnificent vistas, abundant maritime history, so ripe with scenery and scenes; I would have thoroughly enjoyed more time exploring and photographing. Nevertheless, here is a sampling of images from the very few times I was able to go walkabout. I hope you enjoy!

This is the first image I captured  – I love the posture, gait, and apparent enthusiasm of the youngster; the dog’s tail; and the fact that the father had a bright red sweater on (excellent for ‘pop’ of people out in nature).

Halifax 2AM-000802

Halifax 2AM-000802
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f4.5 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A chicane of sorts …

Halifax 2AM-000834

Halifax 2AM-000834
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f5.6 for 1/2000 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Although we witnessed some glorious fall color, it was the same old situation of “you should have seen it last week!” 🙂
the next two images include a birch tree – the bark and patterning thereof fascinated me.

Halifax 2AM-000851

Halifax 2AM-000851
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000860

Halifax 2AM-000860
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/400 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Definitely much color still available around the area, even if the leaves had fallen.

Halifax 2AM-000887

Halifax 2AM-000887
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4.5 for 1/1600 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early in our visit our hosts took me out for a brief but wonderful excursion to Herring Cove. Although very overcast and gloomy, the light was lovely for scenes that didn’t include much, if any, sky. After this mini-hike it was time for lunch so we stopped in at “Now We’re Cookin’!” where I had the superb gastronomic pleasure of a dozen perfectly fried and ultra-delicious “Digby Clams.”

Here are a series of images from the Herring Cove Provincial Park Reserve from that visit:

I call this image “The Admiral” – hopefully you can deduce why 🙂  I captured one of our hosts overlooking a temporarily tranquil Atlantic Ocean – it was a fleeting opportunity to get the shot, so I did not have time to adjust the camera settings, hence the very slow shutter speed for a hand held shot. Thankfully I managed to be stable enough for a sharp image.

Herring Cove 2AM-000977

“The Admiral” – Herring Cove 2AM-000977
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early into the gorgeous walk I found this scene and liked the various elements so much – hence this image to capture it 🙂

Herring Cove 2AM-000976

Herring Cove 2AM-000976
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Loved these rosehip berries!

Herring Cove 2AM-000982

Herring Cove 2AM-000982
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Herring Cove 2AM-001009

Herring Cove 2AM-001009
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Same general scene, different interpretation. My photographic mentor drummed into me to shoot and shoot and shoot a scene from numerous angles/interpretations, with a strict caveat that each composition/interpretation must be appealing to me, not just shooting a bunch and ‘hoping’ one of them will be ‘good’.

Herring Cove 2AM-001011

Herring Cove 2AM-001011
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A portion of the walking trail.

Herring Cove 2AM-001027

Herring Cove 2AM-001027
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

More of the meandering walking trail and a very typical scene of this splendid coast.

Herring Cove 2AM-001025

Herring Cove 2AM-001025
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

’twas a very blustery gloomy day and the smart one here (that would be me 🙂 ) decides to take a multi-hour exploratory walk around the Halifax waterfront to take in some of the history of this place. When I say it was blustery, it was really blowing! There is a bit of a tale from my home country that goes something like this: “Tie a brick onto a long piece of line and hang it so that it is free to swing. If the brick/string is vertical, there isn’t enough wind to go sailing; If the brick/string are horizontal, then perhaps there is a little too much wind for a sail; Anywhere in between = just right for a sail.” Well, the brick would have been darn near horizontal whilst I wandered around that particular day 😉
This block and blue line appealed to me as they hung and swung, suspended above the dark cold water. Hope you enjoy it too.

Halifax 2AM-000914

“Block and Blue” – Halifax 2AM-000914
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

I find the marine flora and fauna of cold water habitats fascinating, and Nova Scotia in early winter did not disappoint me.This image, and the mussel image following it, were taken on a bucking and rolling floating dock that was doing its non-level best to ensure that either I fell in the cold cold water, or dropped the camera into said water, or fail to get a sharp image of the subjects that were interesting me. I am very thankful that the 5D Mark III handles high ISO noise so bloody well!

Halifax 2AM-000931

Halifax 2AM-000931
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 3200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000937

Halifax 2AM-000937
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Some scenes need capturing, despite the quality (or lack thereof) of available light; I thought this public art installation the Halifax Waterfront Boardwalk to be such a scene. This public art installation is a collaboration between Chris Hanson and Hendrika Sonnenberg. One of the lampposts (at rear in this image) is peeing in the ocean. The other two are on their way home after drinking too much – the closest has stumbled and fallen, the other is bending over to check if all is okay with the fallen one.

Halifax 2AM-000946

“Drunken Street Lights” – Halifax 2AM-000946
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Boardwalk boards (and nails)

Halifax 2AM-000958

Halifax 2AM-000958
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Whilst she isn’t particularly old, this yacht is reminiscent of a time apparently long gone, when vessels actually had lovely lines! Plus, what’s not to like about bowsprits, jib-booms, bowlines, and vertically seamed sails with stitched lines along the leech?

Halifax 2AM-000968

Halifax 2AM-000968
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/125 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A new day, and, well, there were some trees still shedding their colorful leaves, and a stunningly sky, so why not?

Halifax 2AM-001342

Halifax 2AM-001342
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/3200 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-001400

Halifax 2AM-001400
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/2500 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Dusk was rapidly descending on a bloody chilly day when I happened upon this lovely little yawl at rest on its mooring in a secluded and tranquil inlet.

Halifax 2AM-001083

Halifax 2AM-001083
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Sometimes “hard to figure out at first” is intriguing – to me at least 🙂

Halifax 2AM-001084

Halifax 2AM-001084
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A revisit to Herring Cove because the light was “cleaner.”

Herring Cove 2AM-001036

Herring Cove 2AM-001036
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A little ‘overflow’ creek from Powers Pond to the Atlantic Ocean (via Herring Cove).

Herring Cove 2AM-001043

Herring Cove 2AM-001043
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To me these next two images typify coastal fishing hamlets.

Herring Cove 2AM-001038

Herring Cove 2AM-001038
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To my eye, when strolling around town, this image was very appealing. Initial concerns about it being “too busy” rapidly dissipated – likely due to the location of the colored elements, the reflections, and the leading line of the dock. Perhaps I am mistaken?

Herring Cove 2AM-001108

Herring Cove 2AM-001108
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/250 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Speaking of reflections… here are two more from the walking trail at Herring Cove Provincial Park Reserve.

Herring Cove 2AM-001115

Herring Cove 2AM-001115
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/60 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A stunning blue sky, granite, and grass.

Herring Cove 2AM-001062

Herring Cove 2AM-001062
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

My final image from Herring Cove showing one side of the entrance to Herring Cove; the great blue yonder is the fabled ornery Atlantic.

Herring Cove 2AM-001066

Herring Cove 2AM-001066
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

On the coldest day of the winter thus far (it having snowed the first snow of the season the previous night), we ventured on a quick trip down to Peggy’s Cove – a gorgeous sunset, some ice in the rocky depressions of the granite headland, and it was blowing stink, and we were right on the edge of the Atlantic. Not blowing quite strong enough for there to be whitecaps in the toilet, but darn near!
The following images were all captured within roughly one hour, and again, I present 4 images with the lighthouse in it, each sufficiently appealing to me.

There were some strange light behavior happenings last evening during dusk at Peggy’s Cove – one with my lens glare (this image), the other some neat atmospherics (the next image).

Peggy's Cove 2AM-001471

Peggy’s Cove 2AM-001471
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/200 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.


The three of us who were there together all were mesmerized by the vertical shaft of light – normally I expect to see crepuscular rays, but this instance had only the vertical element. As it was developing I was scampering around trying to find any element for foreground interest. “Beam me up” or  perhaps a 
“batman-like beam.” 😉

Peggy's Cove 2AM-001488

Peggy’s Cove 2AM-001488
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 100.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001474

Peggy’s Cove 2AM-001474
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001485

Peggy’s Cove 2AM-001485
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/8 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

And to wrap up this visit to Halifax, Nova Scotia – Canada, here is a light-painting of the lighthouse at Peggy’s Cove – the primary purpose of the quick evening trip to Peggy’s Cove. I hope you enjoy this light-painting image – is was certainly the most difficult to make: my wife and our host said I looked a bit like a mountain goat running around over the rocks and boulders in the dark whilst painting the scene with my trusty Q-beam II Million power flashlight.

Peggy's Cove 2AM-001515

A light-painting – Peggy’s Cove 2AM-001515
Canon 5D Mark III with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

 

 

 

 

 

 

Margaret River Region – Australia’s South West

A region of diversity famous for its premium wines and stunning wineries, picturesque rural vistas, stunning forests, spectacular coast with both tranquil beaches and world-class surfing, plus fantastic views and proximity to the southward migration of humpback and other whales. Welcome to the Margaret River Region of Australia’s South West.

 

This is Canal Rocks under heavy swell.

Canal Rocks 2AM-113306_7D

Canal Rocks 2AM-113306
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/2 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Canal Rocks 2AM-113270_7D

Canal Rocks 2AM-113270
Canon 7D with Canon 24-105mm f/4L lens. f20 for 0.3 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely “chute” with abundant epiphytes – an offshoot of the “canal”.

Canal Rocks 2AM-113689_7D

Canal Rocks 2AM-113689
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/40 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The view as you descend to Canal Rocks.

Canal Rocks 2AM-113217_7D

Canal Rocks 2AM-113217
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely drive through a karri forest.

Karri Forest 2AM-113017_7D

Karri Forest 2AM-113017
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/15 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Boranup Karri Forest.

Boranup Karri Forest 2AM-111945_7D

Boranup Karri Forest 2AM-111945
Canon 7D with Canon 24-105mm f/4L lens. f9 for 1/30 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The now ruined Hamelin Bay Jetty was built in 1882 to service the local timber mills.

Hamelin Bay 2AM-113078_7D

Hamelin Bay 2AM-113078
Canon 7D with Canon 24-105mm f/4L lens. f5.5 for 1/1000 seconds at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Proximal to the jetty ruins is a small public boat ramp.

Hamelin Bay 2AM-113093_7D

Hamelin Bay 2AM-113093
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This is the other portion of Hamelin Bay.

Hamelin Bay 2AM-113080_7D

Hamelin Bay 2AM-113080
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/320 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

If you are lucky (and perhaps brave), you might be fortunate enough to have the local stingrays pay you a visit – as they did here to my lovely wife. Although massive, these are “gentle” creatures – the worst you may experience is them nom-nomming (chewing) on your toes 🙂

Smooth Stingray - Hamelin Bay 2AM-113560_7D

Smooth Stingray – Hamelin Bay 2AM-113560
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/200 second at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The “business end” of a massive ray (and another coming in from the back).

Smooth Stingray - Hamelin Bay 2AM-113530_7D_Facebook

Smooth Stingray – Hamelin Bay 2AM-113530
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/320 second at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Sugarloaf Rock, Cape Naturaliste.

Sugarloaf Rock 2AM-113201_7D

Sugarloaf Rock 2AM-113201
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/100 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Injidup Point, not far from the mouth of the Margaret River.

Injidup Point 2AM-113094_7D

Injidup Point 2AM-113094
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Injidup Point.

Injidup Point 2AM-113109_7D

Injidup Point 2AM-113109
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/400 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dune and clouds at Moses Rocks.

Moses Rocks Beach 2AM-113336_7D

Moses Rocks Beach 2AM-113336
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/100 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Yallingup, a world famous surf-break which was quite that day, at dusk just before we nestled among the boulders to enjoy a quite beverage and hors d’oeuvres – magical.

Yallingup 2AM-111960_7D

Yallingup 2AM-111960
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A little color and softness among the colorful rocks at Yallingup.

Yallingup 2AM-111964_7D

Yallingup 2AM-111964
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/5 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Meelup Beach, a glorious place to take a dip.

Meelup Beach 2AM-113746_7D

Meelup Beach 2AM-113746
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/30 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Picnic table with a view – Meelup Beach.

Meelup Beach 2AM-113737_7D

Meelup Beach 2AM-113737
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Castle Rock, just around the point from Meelup Beach. Climbing the point nearby allows for unfettered views of Geographe Bay and the Indian Ocean.

Castle Rock 2AM-113118_7D

Castle Rock 2AM-113118
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 seconds at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Same feature, different view/feel.

Castle Rock 2AM-113120_7D

Castle Rock 2AM-113120
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 seconds at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A ketch at anchor in the tranquility afforded by Geographe Bay – viewed from “whale lookout” at Castle Rock.

Castle Rock 2AM-113351_7D

Castle Rock 2AM-113351
Canon 7D with Canon 24-105mm f/4L lens. f16 for 1/80 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This lovely tranquil beach with its clear and clean water also has portions dotted with boulders, some of which are partially submerged.

Castle Rock 2AM-113126_7D

Castle Rock 2AM-113126
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/100 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

More rocks, first by daylight, then after dusk – with light added by flashlight.

Castle Rock 2AM-113366_7D

Castle Rock 2AM-113366
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Hues of blue – a light-painting.

Castle Rock 2AM-113415_7D

Castle Rock 2AM-113415
Canon 7D with Canon 24-105mm f/4L lens. f8 for 20 seconds at ISO 100 – a light-painting.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dusk at Castle Rock.

Castle Rock 2AM-113172_7D

Castle Rock 2AM-113172
Canon 7D with Canon 24-105mm f/4L lens. f22 for 13 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Ah, the primary image I originally went to Castle Rock for: A light painting with stars and meteorite.
I had to rock-hop in a mad dash once I set the self timer for the exposure in order to position myself such that the shadows/light source were creating the feel I wanted. Thankfully no falls or broken ankles!

Castle Rock 2AM-113197_7D

Castle Rock 2AM-113197
Canon 7D with Canon 24-105mm f/4L lens. f4.5 for 30 seconds at ISO 3200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

 

 

Southern Forests Region – Australia’s South West

A scenic 36 hours spent in and around magnificent karri, marri and tingle forests (including the “Valley of the Giants”), undulating terrain sliced by numerous rivers and streams, fertile orchards and vineyards, all edged by dramatic cliffs, estuaries, and beaches along the Southern Ocean – welcome to the Southern Forests Region of Australia’s South West.

 

Here are three images from Fernhook Falls on the Deep River.

Fernhook Falls 2AM-112804_7D

Fernhook Falls 2AM-112804
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Fernhook Falls 2AM-112855_7D

Fernhook Falls 2AM-112855
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Fernhook Falls 2AM-112874_7D

Fernhook Falls 2AM-112874
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Among the forest under-story these “flowers” really “Popped”.

Flowers 2AM-112716_7D

Flowers 2AM-112716
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Color and lushness were pleasant surprises far below the forest canopy.

Flowers 2AM-112717_7D

Flowers 2AM-112717
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

An early morning bath in renewing rain and nourishing light greet the forest, including a youngish Karri tree.

Karri Tree 2AM-112698_7D

Karri Tree 2AM-112698
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This walkway allowed for magical, if wobbly views of Beedalup Falls near Pemberton.

Beedelup Falls - Pemberton 2AM-113050_7D

Beedelup Falls 2AM-113050
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Beedelup Falls - Pemberton 2AM-113039_7D

Beedelup Falls 2AM-113039
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A grand old Tingle Tree (a so-called Giant Tingle Tree) in the Walpole Wilderness Area. This tree has a circumference of almost 25 meters and is thought to be the oldest living eucalypt in the world. The heartwood has been ravaged by numerous fires yet the tree survives because the “living and growing parts” (xylem and phloem) and located just under the bark.

Tingle Tree - Walpole Wilderness Area 2AM-112769_7D

Tingle Tree 2AM-112769
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

An exposed portion of roots from the Giant Tingle Tree – resilience and form.

Tingle Tree - Walpole Wilderness Area 2AM-112772_7D

Tingle Tree 2AM-112772
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Nearby, a fern seeks the light after establishing itself in the decaying hulk of an old tingle tree – decomposition and succession at work!

Tingle Tree - Walpole Wilderness Area 2AM-112739_7D

Tingle Tree 2AM-112739
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

When stirred up by pulses in river flow, Saponin – a leachate type product from plants breaking down in the water – causes a frothy, often cappuccino-like surface in Circular Pool. The pool’s name refers not to the shape – rather, it is for the currents and resultant eddies (circular flow) which create a myriad of patterns such as this, ephemeral as this pattern is as it is continually morphing.

Circular Pool 2AM-30266_30D

Circular Pool 2AM-30266
Canon 30D with Canon 100-400mm f/4.5-5.6L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The Cascades section of Lefroy Brook also contains serene little embayments where the water is calm, such as this little spot.

The Cascades - Lefroy Brook 2AM-112923_7D

The Cascades – Lefroy Brook 2AM-112923
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Segue (of sorts)…

This is a Spotted Pardalote, a tiny and at this time of year very industrious “little colorful job.” I was enthralled for a considerable time as I enjoyed several of these birds gathering their nesting material alongside the Warren River, near Pemberton.

Spotted Pardalote 2AM-30289_30D

Spotted Pardalote 2AM-30289
Canon 30D with Canon 100-400mm f/4.5-5.6L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dawn and fog caress the Warren River and surrounding forest – near Pemberton.

Warren River 2AM-112953_7D

Warren River 2AM-112953
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112942_7D

Warren River 2AM-112942
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112983_7D

Warren River 2AM-112983
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-113012_7D

Warren River 2AM-113012
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112955_7D

Warren River 2AM-112955
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112934_7D

Warren River 2AM-112934
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112995_7D

Warren River 2AM-112995
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The coast, an innate yearning for most Australians. A rainy dawn at Nornalup Inlet, near Walpole, where estuary becomes ocean. 

Nornalup Inlet Mouth 2AM-112671_7D

Nornalup Inlet Mouth 2AM-112671
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Nornalup Inlet Mouth 2AM-112675_7D

Nornalup Inlet Mouth 2AM-112675
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

My final two photo-blogs from this trip to Western Australia will be images from Fremantle and the Margaret River Region. I hope you enjoy my existing photo’s and will visit the new posts when they occur.

 

Karijini National Park – August 2012

The last blog of images taken over 10 days in the Austral winter of 2012. Karijini National Park is a must see – hope you enjoy these images presenting a feel of the place.

All images Copyright © Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dales Gorge – Karijini NP 2AM-29633
Canon 30D with Canon 100-400mm f/4.5-5.6 lens. f8 for 1/25 second, handheld at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dales Gorge – Karijini NP 2AM-111666
Canon 7D with Canon 24-105mm f/4 lens. f14 for 1/10 second, handheld at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dales Gorge – Karijini NP 2AM-29633
Canon 30D with Canon 100-400mm f/4.5-5.6 lens. f22 for 3.2 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Joffre Gorge – Karijini NP 2AM-111476
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1.6 seconds at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Joffre Gorge – Karijini NP 2AM-111490
Canon 7D with Canon 24-105mm f/4 lens. f8 for 1.6 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Oxer Lookout – Karijini NP 2AM-111556
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/40 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-29606
Canon 30D with Canon 10-22mm f/3.5-4.5 lens. f7.1 for 1/25 second, handheld, at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-29607
Canon 30D with Canon 10-22mm f/3.5-4.5 lens. f7.1 for 1/250 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111495
A motion blur image with abstract intentions.
Canon 7D with Canon 24-105mm f/4 lens. f8 for 1/5 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111498
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/640 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111506
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/500 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111569
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/100 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111571
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/30 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111602
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/20 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111614
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/25 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111615
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/50 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111627
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/30 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111635
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/250 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111646
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111651
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111671
Canon 7D with Canon 24-105mm f/4 lens. f14 for 1.3 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111684
Canon 7D with Canon 24-105mm f/4 lens. f20 for 2 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111693
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/2 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111701
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 13 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111702
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 20 seconds at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

Emu Creek Station, Western Australia.

The missus and I had a very loose itinerary for our 10 day road trip together around parts of Western Australia; on the definite list were the stromatolites, the Pinnacles, and hot-air ballooning (see previous blog posts). We made no reservations, kept the fuel tank above 1/2 full, sort of looked at maps (some were very poor, some excellent), and just drove and enjoyed the scenery and each other immensely. On one leg of the journey the day was fast-moving toward night and we needed to find somewhere to sleep for the evening. We did not take tents or blankets so some shelter was necessary due to it being deep winter when we were there. Allison was analysing the road atlas when she said, “We have two accommodation options available. The first is a caravan park (a good option if their furnished vans aren’t already rented), the second is a “station”.” In Australia a station, when used in rural terms, is a large property (ranch in the USA). This particular station, Emu Creek Station http://www.emucreekstation.com/   is relatively small for the region  – approximately 330,000 acres. I was instantly keen on the homestead stay at the station and the missus was enchanted by the idea.

We arrived unannounced just prior to dusk, were welcomed very kindly, conducted a brief business discussion and then excused ourselves to run down to the river to shoot some photo’s in the stunning light. What a bloody beautiful place this is. We shot a few images then returned to the homestead and enjoyed freshly made sausages, home-grown steaks, fresh made bread, delicious sides, and lovely company – dining with the owners and staff.  https://www.facebook.com/pages/Emu-Creek-Outback-Station-Stays/10150102321265483

Later that night I took a few night shots before retiring for the evening. Early the next morning was exquisite and the missus and I went for a walk and captured a few more images before returning for a lovely brekky and then heading out as we had to be back in Perth to drop off the rental car, pick up a scientific instrument for the missus’ upcoming research expedition on the Indian Ocean, and then, regretfully, get me back on the plane to Texas for work.

Should you find yourself in the Pilbarra region I thoroughly recommend you stay at Emu Creek Station and enjoy the hospitality of  Kylie and John Boyle and the staff.

We sure hope to return, only this time staying for a week or more to capture more of this beautiful place. I would thoroughly enjoy capturing the transition into “the wet” starting October’ish each year – this is monsoonal country. Hope you enjoy these photo’s, all of which are from around the homestead.

These images are all © Andrew and Allison McInnes/2AM Photography. All rights reserved.
To purchase please visit my website: http://andrew-mcinnes.artistwebsites.com/

The homestead bathed in soft pastel light.

Emu Creek Station 2AM-111414
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The next series of images are sequenced to illustrate the vitalness of water and the transition from pasture to riparian areas; each image will take you closer and closer to the permanent water-hole in the river until, finally, you can immerse yourself in the freshness of life’s liquid – vicariously at least.

Emu Creek Station 2AM-111436
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29549
Canon 30D with Canon 100-400mm f/4.5 -5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29453
Canon 30D with Canon 10-22mm f/3.5-4.5 lens at ISO 640.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29441
Canon 30D with Canon 10-22mm f/3.5-4.5 lens at ISO 640.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29495
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

I just love the flora of Australia and I thought these White River Gums to be fascinating.

Emu Creek Station 2AM-29490
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29536
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29539
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111376
Canon 7D with Canon 24-105mm f/4 lens at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Typically I would not post such similar images as these two (above and below). However, experiencing the evening and the vista, I had distinctly different, yet very similar “feelings” when viewing this/these scenes. As such I am posting both as stand-alone images. Do you have a preference?

 

Emu Creek Station 2AM-111381
Canon 7D with Canon 24-105mm f/4 lens at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111424
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111426
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111427
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111439
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

An alternative to homestead stays, there are numerous camping opportunities along the river; here is a sample camp-site (and the billy is on the boil).

Emu Creek Station 2AM-29558
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111402
Canon 7D with Canon 10-22mm f/3.5-4.5 lens at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111406
Canon 7D with Canon 10-22mm f/3.5-4.5 lens at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Ava good night 😉

 

 

 

Pacific Dreaming

A very quick trip to Australia enabled some early morning shots (4:45 am for several of these). The location is on the upper NSW coast, late September, 2011.

"Sunrise and Norries Head." Canon 30D with Canon 100-400mm lens and 1.4x teleconverter at ISO 800. 1/160 second at f/7.1.

 

"A Pacific Ocean dawn." Canon 7D with Canon 10-22mm lens at ISO 100. 30 seconds at f/4.

 

"Pandanus, beach, and sunrise" over the Pacific. Canon 7D and Canon 10-22mm lens at ISO 100. 6 seconds at f/5.6.

 

"Boulders and waves 1." Canon 7D with Canon 10-22mm lens at ISO 100. 1.3 seconds at f/14.

 

"Boulders and waves 2." Same boulders, different morning. Canon 7D with Canon 10-22mm lens at ISO 100. 20 seconds at f/4.

 

"Boulders and waves 3." Norries Head, and Pacific dawn. Canon 7D with Canon S10-22mm lens at ISO 100. 1.6 seconds at f/4.

 

"A Pacific Ocean dawn 2." Canon 7D with Canon S10-22mm lens at ISO 100. 1/3 second at f/22.

 

"A Pacific Ocean dawn 3." Canon 7D with Canon 10-22mm lens at ISO 100. 1/3 second at f/22.

 

"Beach cusps." Canon 30D with Canon 100-400mm lens and 1.4 teleconverter at ISO 1000, handheld (it was rather windy on the headland). 1/500 second at f/9.

 

 

Serenity in the Great Smoky Mountains National Park

A brief vacation in Tennessee enabled me time to go “shoot” and yielded some images from a quaint stream – well, it is named the “Roaring Fork” but was in a non-roaring flow when I explored it. Hope you find peace and solace through these sample images.

Dusk falls over the Great Smoky Mountains National Park. Canon 7D with Canon EF 100-400mm f/4.5-5.6L lens at ISO 100.

 

“Reflections on a stream #1.” Canon 7D with Canon EF 100-400mm f/4.5-5.6L lens at ISO 100.

 

Fungi thriving in moist, cool, shaded environment. Canon 7D with Canon EF-S 10-22 mm f/3.5-4.5 lens at ISO 100.

 

Moss, water, and quite ambience. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 400.

 

Mossy boulders and stream. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 400.

 

Cold water trickling and descending. Canon 7D and Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 250.

 

“Meandering among metamorphics #1.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

Cool, moist habitat and moss flourishes. Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Metamorphic meanderings #1.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Tranquility above Dali.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Tranquility, sans Dali.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Reflections on a stream #2.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“More metamorphic meanderings.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 100.

 

“Flowers and falls.” Canon 7D with Canon EF-S 10-22mm f/3.5-4.5 lens at ISO 400.