Malaysia (2 of 3) – Labuan and surrounds.

This is the second of three posts covering my recent trip to Malaysia. As it was not a photography or vacation trip, I took one camera with one lens – no tripod, flash, etc. Consequently, the great majority of these images are handheld, and all are taken essentially as ‘snapshots’ throughout the day/night and with whatever light was available, not targeted light. All images were captured with Canon 7D and Canon 24-105mm f/4L lens.

Labuan is one of three Federal Territories of Malaysia and is an island off Malaysian Borneo. This photo-blog will include some scenes from Labuan and some from nearby islands (island = Pulau).

All images are Copyright © Andrew McInnes/2AM Photography. All rights reserved.

Tiara Labuan Hotel 2AM-116933_7D

Tiara Labuan Hotel 2AM-116933
The Tiara Labuan Hotel, where I stayed for the first few days on Labuan.

 

Water Village - Labuan 2AM-116956_7D

Water Village – Labuan 2AM-116956
This is one of the “water villages” on Labuan Island, Malaysia. At high tide the water comes within about one foot of the floors of these homes. The people in this village were lovely, friendly, and apparently content with their lot in life – perhaps those of us with so-called ‘first-world problems’ could learn some lessons from these fine folks. This scene reminded me of areas in Papua New Guinea, where I was raised.

 

Water Village - Labuan 2AM-116959_7D

Water Village – Labuan 2AM-116959
A closer look at part of a water village.

 

As my purpose for this trip was marine related, i.e. working offshore on vessels, there are several images of boats and dry-dock…

Labuan 2AM-117376_7D

Labuan 2AM-117376
A storm and rainbow over a large assemblage of seismic vessels in Labuan Harbor.

 

Labuan 2AM-117371_7D

Labuan 2AM-117371
Pre-strorm light illuminates a portion of Labuan’s commercial district.

 

Fishing Boat - Labuan 2AM-117064_7D

Fishing Boat – Labuan 2AM-117064
A few local trawler vessels preparing for departure. I loved the character of the hulls of these boats.

 

Labuan Shipyard 2AM-117092_7D

Labuan Shipyard 2AM-117092
Scaffolding surrounds a ship that is dry-docked (photographed at night).

 

Labuan Shipyard 2AM-117154_7D

Labuan Shipyard 2AM-117154
A worker inside a dry-docked barge uses an oxy acetylene torch to cut out great plates of compromised steel that are part of the hull of this barge.

 

Labuan Shipyard 2AM-117173_7D

Labuan Shipyard 2AM-117173
Spectacular showers of molten steel sparks – a result of three oxy acetylene torches.

 

Labuan Shipyard 2AM-117166_7D

Labuan Shipyard 2AM-117166
Sparks rain down onto the great plates of steel as other plates are being cut out.

 

Water taxis were abundant and necessary for those, like me, who work on vessels.

Water Taxi - Labuan 2AM-117059_7D

Water Taxi – Labuan 2AM-117059
At rest – the bows of several taxis.

 

Labuan has an active bazaar which was both bustling and fascinating. All manner of goods and services are available including electronic repairs, jewelry, food, tailors, fashion, cobblers, etc.

Cobbler - Labuan 2AM-117069_7D


Cobbler – Labuan 2AM-117069
This shoe repairman was amazingly efficient with his workmanship, and a very pleasant fellow.

 

Cobbler - Labuan 2AM-117074_7D

Cobbler – Labuan 2AM-117074
Some of this cobbler’s tools of the trade – all manually applied instruments.

 

Bazaar - Labuan 2AM-117080_7D

Bazaar – Labuan 2AM-117080
A vendor watches a shopper stroll through a portion of the bazaar.

 

Arrrg! Almost without exception, whatever body of water I may be on, this is what I see, to varying extents (and this is only the visible stuff – I cannot imagine how much chemical contaminants are present). These images, though from Malaysian waters, are not endemic to this place.

Marine Trash - Labuan 2AM-117055_7D

Marine Trash – Labuan 2AM-117055
Quite the assortment!

 

Marine Trash - Labuan 2AM-117056_7D

Marine Trash – Labuan 2AM-117056
Trash piled up between two small barges.

 

As there were several days of downtime awaiting the arrival of the vessel which was the vehicle for my work, several of us – Australian, German, French, American – hired a local boat owner to take us to a few off the nearby islands.  These places, though offshore, are not exempt from marine pollution.

Palau Rusukan Kecil - Malaysia 2AM-117011_7D

Pulau Rusukan Kecil – Malaysia 2AM-117011
More marine trash – an aesthetics killer.

 

More scenics from Pulau Rusukan Kecil, this time sans trash. A thoroughly delightful and complex group of little islands, all very proximal to each other.

Palau Rusukan Kecil - Malaysia 2AM-116996_7D

Pulau Rusukan Kecil – Malaysia 2AM-116996

 

Palau Rusukan Kecil - Malaysia 2AM-117014_7D

Pulau Rusukan Kecil – Malaysia 2AM-117014
A lovely sense of isolation on this island’s beaches.

 

Palau Rusukan Kecil - Malaysia 2AM-117027_7D

Pulau Rusukan Kecil – Malaysia 2AM-117027
Tropical paradise.

 

This next island is designated as a marine park – a “no-take, no damage” island and surrounding waters.

Palau Kuraman - Malaysia 2AM-116984_7D

Pulau Kuraman – Malaysia 2AM-116984
The red vessel is the one we adventured with. A lovely place for a swim/snorkel.

 

The following four images are from Pulau Daat, an island with a village populated by Philippine fishermen and their families. The colors were so vivid – almost startling – so much so that I was keenly wanting to explore and visit with the residents.

Palau Daat - Malaysia 2AM-117049_7D

Pulau Daat – Malaysia 2AM-117049
The approaching view.

 

Palau Daat - Malaysia 2AM-117038_7D

Pulau Daat – Malaysia 2AM-117038
A sampling of the colorful little fishing boats. The fishermen take these little, and highly unstable, motorized vessels offshore to fish – you might notice the outriggers that they troll their lines/lures off.

 

Palau Daat - Malaysia 2AM-117040_7D

Pulau Daat – Malaysia 2AM-117040
Home to a fishing family – how about the color!

 

Palau Daat - Malaysia 2AM-117044_7D

Pulau Daat – Malaysia 2AM-117044
I was fortunate to spend time visiting with some of the folks whereby verbal communication was challenging due to language barriers. One thing I already knew from my various travels was reinforced though… a smile goes a million miles in human interactions. What started as a chat with the four men (photo-front), soon became a delightful visit with over 2 dozen folks, most of which were children – once they “got their courage up.”

 

Back to Labuan.

Pond Cleaning Man - Labuan 2AM-116954_7D

Pond Cleaning Man – Labuan 2AM-116954
A worker harvest plants from a freshwater pond at the WWII Memorial.

 

As my last location before I departed Malaysia was at a dock in Labuan, I’ll close this post with a few images from there.

Labuan Shipyard 2AM-117392_7D

Labuan Shipyard 2AM-117392
Mid afternoon a storm began building and I was hopeful there might just be some amazing light as dusk approached. I was not disappointed by the storm or the color!

 

Labuan Shipyard 2AM-117395_7D

Labuan Shipyard 2AM-117395
Industrial imagination.

 

Hopefully you experienced some of the sights, sounds, and scents , if vicariously, through these images.

I sure appreciate you visiting.

Cheers,

Andrew

 

 

Same scene, different interpretation – Garner State Park, TX.

I recently traveled to the beautiful Garner State Park, Texas to photograph night shots which were to include light-painting.

 

This blog contains two images; though they were the exact same composition, and both taken after twilight, these are two very different images.

The first image is your “standard” light-painting and was taken after humanly visible light had vanished:

Garner State Park 2AM-115918

Garner State Park 2AM-115918
A single capture with light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

The second image also includes light-painting, and the process of capturing this image was started about 10 minutes after the photo above.  However, this second image is a “stacked” image – I took 61 photographs, the first of which was the light-painting on the trees and “Old Baldy” then a further 60 images were taken without any light-painting (the last image is a “blank” which helps reduce the digital noise). Total exposure time equates to a little over 40 minutes. Each image had the exact settings of the first photo posted (above) and I compiled them using software that is dedicated to stacking images.

Garner-State-Park-2AM-115920-115980_stackedImage2

Garner-State-Park-2AM-115920-115980_stackedImage2
61 image stack for a total exposure time of ~40 minutes.
Each frame/picture had the following settings:
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

I could have (and should have) taken a single, 40 minute long-exposure image as this would also have a slightly different interpretation of the scene. That longer exposure would have had more digital noise but smoother star-trails.

 

So from the same scene and the same composition we can get multiple interpretations/photographs by using different photographic techniques.

Hope you enjoyed these images 🙂

 

I have previously posted blogs showing this location (Garner State Park, Texas) in Fall color:

https://2amphotography.wordpress.com/2011/11/09/a-wet-and-colorful-weekend-near-utopia-tx/

https://2amphotography.wordpress.com/2011/11/28/fall-rotation-thanksgiving-2011-garner-state-park-tx/

 

 

A very brief trip to the Texas panhandle – Palo Duro Canyon, Cadillac Ranch, and Wind Turbines.

The Texas panhandle is a fascinating region and I spend too little time there unfortunately. Recently I fit in a very quick trip to recharge. Here are a few images from that trip.

Prints of my images are available  if you click on the Licensing/Purchasing images tab on this blog or click this link: https://2amphotography.wordpress.com/licensingpurchasing-images/

All images Copyright Andrew McInnes/2AM Photography.

 

Wind Turbine 2AM-114791_7D_blog

Wind Turbine 2AM-114791
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 1/5 second at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Cadillac Ranch 2AM-114850_7D_blog

Cadillac Ranch 2AM-114850
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/2 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Hoodoo at Capital Peak - Palo Duro Canyon 2AM-114814_7D_blog

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114814
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/800 second at ISO 200.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Capital Peak - Palo Duro Canyon 2AM-114896_7D_blog

Capital Peak – Palo Duro Canyon 2AM-114896
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Capital Peak - Palo Duro Canyon 2AM-114897_7D_blog

Capital Peak – Palo Duro Canyon 2AM-114897
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Golden-fronted Woodpecker 2AM-30656_30D_blog

Golden-fronted Woodpecker 2AM-30656
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/320 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

 

White-winged Dove 2AM-30604_30D_blog

White-winged Dove 2AM-30604
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/160 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

 

The Lighthouse - Palo Duro Canyon 2AM-114886_7D_blog

The Lighthouse – Palo Duro Canyon 2AM-114886
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/250 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Hoodoo at Capital Peak - Palo Duro Canyon 2AM-114844_7D_blog

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114844
A light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 30 seconds at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

 

That is the end of this little adventure. Thanks for visiting!

 

 

 

Margaret River Region – Australia’s South West

A region of diversity famous for its premium wines and stunning wineries, picturesque rural vistas, stunning forests, spectacular coast with both tranquil beaches and world-class surfing, plus fantastic views and proximity to the southward migration of humpback and other whales. Welcome to the Margaret River Region of Australia’s South West.

 

This is Canal Rocks under heavy swell.

Canal Rocks 2AM-113306_7D

Canal Rocks 2AM-113306
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/2 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Canal Rocks 2AM-113270_7D

Canal Rocks 2AM-113270
Canon 7D with Canon 24-105mm f/4L lens. f20 for 0.3 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely “chute” with abundant epiphytes – an offshoot of the “canal”.

Canal Rocks 2AM-113689_7D

Canal Rocks 2AM-113689
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/40 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The view as you descend to Canal Rocks.

Canal Rocks 2AM-113217_7D

Canal Rocks 2AM-113217
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely drive through a karri forest.

Karri Forest 2AM-113017_7D

Karri Forest 2AM-113017
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/15 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Boranup Karri Forest.

Boranup Karri Forest 2AM-111945_7D

Boranup Karri Forest 2AM-111945
Canon 7D with Canon 24-105mm f/4L lens. f9 for 1/30 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The now ruined Hamelin Bay Jetty was built in 1882 to service the local timber mills.

Hamelin Bay 2AM-113078_7D

Hamelin Bay 2AM-113078
Canon 7D with Canon 24-105mm f/4L lens. f5.5 for 1/1000 seconds at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Proximal to the jetty ruins is a small public boat ramp.

Hamelin Bay 2AM-113093_7D

Hamelin Bay 2AM-113093
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This is the other portion of Hamelin Bay.

Hamelin Bay 2AM-113080_7D

Hamelin Bay 2AM-113080
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/320 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

If you are lucky (and perhaps brave), you might be fortunate enough to have the local stingrays pay you a visit – as they did here to my lovely wife. Although massive, these are “gentle” creatures – the worst you may experience is them nom-nomming (chewing) on your toes 🙂

Smooth Stingray - Hamelin Bay 2AM-113560_7D

Smooth Stingray – Hamelin Bay 2AM-113560
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/200 second at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The “business end” of a massive ray (and another coming in from the back).

Smooth Stingray - Hamelin Bay 2AM-113530_7D_Facebook

Smooth Stingray – Hamelin Bay 2AM-113530
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/320 second at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Sugarloaf Rock, Cape Naturaliste.

Sugarloaf Rock 2AM-113201_7D

Sugarloaf Rock 2AM-113201
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/100 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Injidup Point, not far from the mouth of the Margaret River.

Injidup Point 2AM-113094_7D

Injidup Point 2AM-113094
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Injidup Point.

Injidup Point 2AM-113109_7D

Injidup Point 2AM-113109
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/400 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dune and clouds at Moses Rocks.

Moses Rocks Beach 2AM-113336_7D

Moses Rocks Beach 2AM-113336
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/100 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Yallingup, a world famous surf-break which was quite that day, at dusk just before we nestled among the boulders to enjoy a quite beverage and hors d’oeuvres – magical.

Yallingup 2AM-111960_7D

Yallingup 2AM-111960
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A little color and softness among the colorful rocks at Yallingup.

Yallingup 2AM-111964_7D

Yallingup 2AM-111964
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/5 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Meelup Beach, a glorious place to take a dip.

Meelup Beach 2AM-113746_7D

Meelup Beach 2AM-113746
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/30 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Picnic table with a view – Meelup Beach.

Meelup Beach 2AM-113737_7D

Meelup Beach 2AM-113737
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Castle Rock, just around the point from Meelup Beach. Climbing the point nearby allows for unfettered views of Geographe Bay and the Indian Ocean.

Castle Rock 2AM-113118_7D

Castle Rock 2AM-113118
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 seconds at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Same feature, different view/feel.

Castle Rock 2AM-113120_7D

Castle Rock 2AM-113120
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 seconds at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A ketch at anchor in the tranquility afforded by Geographe Bay – viewed from “whale lookout” at Castle Rock.

Castle Rock 2AM-113351_7D

Castle Rock 2AM-113351
Canon 7D with Canon 24-105mm f/4L lens. f16 for 1/80 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This lovely tranquil beach with its clear and clean water also has portions dotted with boulders, some of which are partially submerged.

Castle Rock 2AM-113126_7D

Castle Rock 2AM-113126
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/100 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

More rocks, first by daylight, then after dusk – with light added by flashlight.

Castle Rock 2AM-113366_7D

Castle Rock 2AM-113366
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Hues of blue – a light-painting.

Castle Rock 2AM-113415_7D

Castle Rock 2AM-113415
Canon 7D with Canon 24-105mm f/4L lens. f8 for 20 seconds at ISO 100 – a light-painting.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dusk at Castle Rock.

Castle Rock 2AM-113172_7D

Castle Rock 2AM-113172
Canon 7D with Canon 24-105mm f/4L lens. f22 for 13 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Ah, the primary image I originally went to Castle Rock for: A light painting with stars and meteorite.
I had to rock-hop in a mad dash once I set the self timer for the exposure in order to position myself such that the shadows/light source were creating the feel I wanted. Thankfully no falls or broken ankles!

Castle Rock 2AM-113197_7D

Castle Rock 2AM-113197
Canon 7D with Canon 24-105mm f/4L lens. f4.5 for 30 seconds at ISO 3200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

 

 

Southern Forests Region – Australia’s South West

A scenic 36 hours spent in and around magnificent karri, marri and tingle forests (including the “Valley of the Giants”), undulating terrain sliced by numerous rivers and streams, fertile orchards and vineyards, all edged by dramatic cliffs, estuaries, and beaches along the Southern Ocean – welcome to the Southern Forests Region of Australia’s South West.

 

Here are three images from Fernhook Falls on the Deep River.

Fernhook Falls 2AM-112804_7D

Fernhook Falls 2AM-112804
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Fernhook Falls 2AM-112855_7D

Fernhook Falls 2AM-112855
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Fernhook Falls 2AM-112874_7D

Fernhook Falls 2AM-112874
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Among the forest under-story these “flowers” really “Popped”.

Flowers 2AM-112716_7D

Flowers 2AM-112716
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Color and lushness were pleasant surprises far below the forest canopy.

Flowers 2AM-112717_7D

Flowers 2AM-112717
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

An early morning bath in renewing rain and nourishing light greet the forest, including a youngish Karri tree.

Karri Tree 2AM-112698_7D

Karri Tree 2AM-112698
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This walkway allowed for magical, if wobbly views of Beedalup Falls near Pemberton.

Beedelup Falls - Pemberton 2AM-113050_7D

Beedelup Falls 2AM-113050
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Beedelup Falls - Pemberton 2AM-113039_7D

Beedelup Falls 2AM-113039
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A grand old Tingle Tree (a so-called Giant Tingle Tree) in the Walpole Wilderness Area. This tree has a circumference of almost 25 meters and is thought to be the oldest living eucalypt in the world. The heartwood has been ravaged by numerous fires yet the tree survives because the “living and growing parts” (xylem and phloem) and located just under the bark.

Tingle Tree - Walpole Wilderness Area 2AM-112769_7D

Tingle Tree 2AM-112769
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

An exposed portion of roots from the Giant Tingle Tree – resilience and form.

Tingle Tree - Walpole Wilderness Area 2AM-112772_7D

Tingle Tree 2AM-112772
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Nearby, a fern seeks the light after establishing itself in the decaying hulk of an old tingle tree – decomposition and succession at work!

Tingle Tree - Walpole Wilderness Area 2AM-112739_7D

Tingle Tree 2AM-112739
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

When stirred up by pulses in river flow, Saponin – a leachate type product from plants breaking down in the water – causes a frothy, often cappuccino-like surface in Circular Pool. The pool’s name refers not to the shape – rather, it is for the currents and resultant eddies (circular flow) which create a myriad of patterns such as this, ephemeral as this pattern is as it is continually morphing.

Circular Pool 2AM-30266_30D

Circular Pool 2AM-30266
Canon 30D with Canon 100-400mm f/4.5-5.6L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The Cascades section of Lefroy Brook also contains serene little embayments where the water is calm, such as this little spot.

The Cascades - Lefroy Brook 2AM-112923_7D

The Cascades – Lefroy Brook 2AM-112923
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Segue (of sorts)…

This is a Spotted Pardalote, a tiny and at this time of year very industrious “little colorful job.” I was enthralled for a considerable time as I enjoyed several of these birds gathering their nesting material alongside the Warren River, near Pemberton.

Spotted Pardalote 2AM-30289_30D

Spotted Pardalote 2AM-30289
Canon 30D with Canon 100-400mm f/4.5-5.6L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dawn and fog caress the Warren River and surrounding forest – near Pemberton.

Warren River 2AM-112953_7D

Warren River 2AM-112953
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112942_7D

Warren River 2AM-112942
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112983_7D

Warren River 2AM-112983
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-113012_7D

Warren River 2AM-113012
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112955_7D

Warren River 2AM-112955
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112934_7D

Warren River 2AM-112934
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Warren River 2AM-112995_7D

Warren River 2AM-112995
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The coast, an innate yearning for most Australians. A rainy dawn at Nornalup Inlet, near Walpole, where estuary becomes ocean. 

Nornalup Inlet Mouth 2AM-112671_7D

Nornalup Inlet Mouth 2AM-112671
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Nornalup Inlet Mouth 2AM-112675_7D

Nornalup Inlet Mouth 2AM-112675
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

My final two photo-blogs from this trip to Western Australia will be images from Fremantle and the Margaret River Region. I hope you enjoy my existing photo’s and will visit the new posts when they occur.

 

Blackwood River Valley Region and Geographe Region – Australia’s South West

The purpose of this particular trip was that I planned to do some long-exposure night images to capture the Orionid meteor shower with a light-painting of the ubiquitous grass-tree in the foreground. Unfortunately my planning was awry so only managed to get a few shots before the rising sun burnt-out the stars. Alas, no meteors included in the images but I am well-pleased with the resultant grass-tree images.

On the drive to the region we passed through the Geographe Region and a wonderful little ruin near the town of Boyanup. We captured some images of this ruin during the day and determined we would return to “light-paint” the building and its associated trees that night.

 

Here is the ruin by day

Boyanup Ruin 2AM-112251Canon 7D with Canon 24-105mm f/4 lens. © Andrew and Allison McInnes/2AM Photography. All rights reserved.

Boyanup Ruin 2AM-112251
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Boyanup Ruin 2AM-112258_7D

Boyanup Ruin 2AM-112258
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Here is one of the light-paintings from that night.

Boyanup Ruin Lightpainting 2AM-29856_30D

Boyanup Ruin Lightpainting 2AM-29856
Canon 30D Canon with Canon 10-22mm f/3.5-4.5 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The following images are all from the Blackwood River Valley – this is a typical scene.

Rural Scene 2AM-113052Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Rural Scene 2AM-113052
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A bold and very vivid splash of color from a very small little bird.

Splendid Fairy-wren 2AM-30032Canon 30D with Canon 100-400mm f/4.5-5.6L lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Splendid Fairy-wren 2AM-30032
Canon 30D with Canon 100-400mm f/4.5-5.6L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Soft morning light backlights foliage and warms the pasture after a chilly evening.

Morning Grass 2AM-29905Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Morning Grass 2AM-29905
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Grass-trees and southern stars as first light reveals itself.

Grass Tree Lightpainting 2AM-112328_7D

Grass Tree Lightpainting 2AM-112328
Canon 7D with Canon 10-22mm f/3.5-4.5 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Grass-trees and southern stars; a light-painting.

Grass Tree Lightpainting 2AM-112325_7D

Grass Tree Lightpainting 2AM-112325
Canon 7D with Canon 10-22mm f/3.5-4.5 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

Great Southern Region – Australia’s South West

The Great Southern Region of Western Australia’s South West contains rolling pastoral landscapes, mountain ranges, rivers and streams, and forested cliffs abutting the seemingly relentless Southern Ocean. There are also delightful cosy coves, tranquil inlets, and calm bays – it is primarily a few portions of the stunning coast that I share in this photo-blog.

 

Aptly named “Elephant Rocks.”

Elephant Rocks 2AM-112553Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Elephant Rocks 2AM-112553
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

This is the lovely tranquil cove adjacent to (western side) Elephant Rocks.

Elephant Rocks - Denmark 2AM-112563Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Elephant Rocks – Denmark 2AM-112563
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool, on the eastern side of Elephant Rocks, is rated one of Western Australia’s most idyllic beaches.

Greens Pool - Denmark 2AM-112593 Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112593
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Winter rain approaches the tranquil and very torquoise Greens Pool.

Greens Pool 2AM-112550Canon 7D with Canon 24-105mm f/4L lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112550
Canon 7D with Canon 24-105mm f/4L lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool - Denmark 2AM-112588Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112588
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool - Denmark 2AM-112591Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112591
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool - Denmark 2AM-112572Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112572
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Greens Pool 2AM-112587Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Greens Pool 2AM-112587
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A light-painting amidst a cold winter rain – Wilson Inlet.

Wilson Inlet 2AM-112649_7D

Wilson Inlet 2AM-112649
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Sunset near “The Gap” and “Natural Bridge.”

The Gap 2AM-112517Canon 7D with Canon 24-105mm f/4 lens plus Cokin Z-pro Graduated Neutral Density filters.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The Gap 2AM-112517
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Coastal wildflowers and scrub near “The Gap” and “Natural Bridge.”

The Gap 2AM-30178Canon 7D with Canon 10-22mm f/3.5-4.5 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The Gap 2AM-30178
Canon 7D with Canon 10-22mm f/3.5-4.5 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A lovely gentle swell enters Lowlands Beach.

Lowlands Beach 2AM-112540Canon 7D with Canon 24-105mm f/4 lens.© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Lowlands Beach 2AM-112540
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

Perth ‘ish – September-November, 2012

An assortment of images taken around Perth (and a few from nearby Yanchep) over the Austral spring, 2012.

 

Perth by night – a view from Kings Park.

Perth 2AM-113436
Canon 7D with Canon 10-22mm f/3.5-4.5 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Perth and the Swan River viewed from Matilda Bay.

Swan River 2AM-111873
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Perth, the Swan River, and a bevy of the river’s namesake (Black Swan) – viewed from Matilda Bay.

Swan River 2AM-111875
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

A Galah chew and rub spot on sugar gum (Eucalyptus cladocalyx). This particular tree is one of over 300 comprising a tree-lined avenue in Kings Park, planted to honour Australian service personnel who died in the two World Wars and other engagements.

Galah 2AM-29701
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Laughing Kookaburra perusing its surrounds for prey items in the rain.

Laughing Kookaburra 2AM-29733
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Red-tailed Black-Cockatoo (female) pauses its grazing upon new shoots and flowers at the University of Western Australia.

Red-tailed Black-Cockatoo 2AM-29748
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Another view of the Red-tailed Black-Cockatoo (male) that features the red tail feathers – at the University of Western Australia.

Red-tailed Black-Cockatoo 2AM-29763
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The Red Wattlebird is a “honeyeater” – a group of birds which have highly developed brush-tipped tongues adapted for nectar feeding on numerous plants including this kangaroo paw flower (kangaroo paw plants are endemic to the south-west of Western Australia).

Red Wattlebird 2AM-29724
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Although primarily a “honeyeater”, the Red Wattle Bird also eats a variety of insects which are often caught mid-air, and also some fruit.

Red Wattlebird 2AM-29723
Canon 30D with Canon 100-400mm f/4.5-5.6 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Now that I have introduced some floral aspects in the two preceding images, here is a series of images of everlasting daisies (everlastings), plus Sturt’s Desert Pea, and Mallee Eucalyptus.

Everlasting Daisies 2AM-111821
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Everlasting Daisies 2AM-111832
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Everlasting Daisies 2AM-111836
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Everlasting Daisies 2AM-111840
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Everlasting Daisies 2AM-111844
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Sturt’s Desert Pea 2AM-111851
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Mallee Eucalyptus 2AM-111843
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Up the road a little is a beautiful “terrace” beach at Yanchep, parts of which are sheltered by a reef which is delightfully overwashed. The image below shows this reef and placid waters immediately shoreward – we commented immediately that this is a wonderful spot for children to explore, enjoy, and hopefully be moved to curiosity.

Yanchep 2AM-112389
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

The numerous offshore reefs and the ragged limestone cliffs of this portion of the coast are steeped in maritime history.

Yanchep 2AM-112401
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Texture and movement as oceanic water reunites with former oceanic reefs.

Yanchep 2AM-112442
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dusk painted the ocean with some wondrous hues, each exquisitely ephemeral .

Yanchep 2AM-112414
Canon 7D with Canon 24-105mm f/4 lens.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

 

 

Karijini National Park – August 2012

The last blog of images taken over 10 days in the Austral winter of 2012. Karijini National Park is a must see – hope you enjoy these images presenting a feel of the place.

All images Copyright © Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dales Gorge – Karijini NP 2AM-29633
Canon 30D with Canon 100-400mm f/4.5-5.6 lens. f8 for 1/25 second, handheld at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dales Gorge – Karijini NP 2AM-111666
Canon 7D with Canon 24-105mm f/4 lens. f14 for 1/10 second, handheld at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Dales Gorge – Karijini NP 2AM-29633
Canon 30D with Canon 100-400mm f/4.5-5.6 lens. f22 for 3.2 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Joffre Gorge – Karijini NP 2AM-111476
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1.6 seconds at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Joffre Gorge – Karijini NP 2AM-111490
Canon 7D with Canon 24-105mm f/4 lens. f8 for 1.6 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Oxer Lookout – Karijini NP 2AM-111556
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/40 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-29606
Canon 30D with Canon 10-22mm f/3.5-4.5 lens. f7.1 for 1/25 second, handheld, at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-29607
Canon 30D with Canon 10-22mm f/3.5-4.5 lens. f7.1 for 1/250 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111495
A motion blur image with abstract intentions.
Canon 7D with Canon 24-105mm f/4 lens. f8 for 1/5 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111498
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/640 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111506
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/500 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111569
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/100 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111571
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/30 second at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111602
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/20 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111614
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/25 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111615
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/50 second at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111627
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/30 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111635
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/250 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111646
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111651
Canon 7D with Canon 24-105mm f/4 lens. f11 for 1/125 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111671
Canon 7D with Canon 24-105mm f/4 lens. f14 for 1.3 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111684
Canon 7D with Canon 24-105mm f/4 lens. f20 for 2 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111693
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 1/2 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111701
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 13 seconds at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Weano Gorge – Karijini NP 2AM-111702
Canon 7D with Canon 24-105mm f/4 lens. f5.6 for 20 seconds at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

 

Emu Creek Station, Western Australia.

The missus and I had a very loose itinerary for our 10 day road trip together around parts of Western Australia; on the definite list were the stromatolites, the Pinnacles, and hot-air ballooning (see previous blog posts). We made no reservations, kept the fuel tank above 1/2 full, sort of looked at maps (some were very poor, some excellent), and just drove and enjoyed the scenery and each other immensely. On one leg of the journey the day was fast-moving toward night and we needed to find somewhere to sleep for the evening. We did not take tents or blankets so some shelter was necessary due to it being deep winter when we were there. Allison was analysing the road atlas when she said, “We have two accommodation options available. The first is a caravan park (a good option if their furnished vans aren’t already rented), the second is a “station”.” In Australia a station, when used in rural terms, is a large property (ranch in the USA). This particular station, Emu Creek Station http://www.emucreekstation.com/   is relatively small for the region  – approximately 330,000 acres. I was instantly keen on the homestead stay at the station and the missus was enchanted by the idea.

We arrived unannounced just prior to dusk, were welcomed very kindly, conducted a brief business discussion and then excused ourselves to run down to the river to shoot some photo’s in the stunning light. What a bloody beautiful place this is. We shot a few images then returned to the homestead and enjoyed freshly made sausages, home-grown steaks, fresh made bread, delicious sides, and lovely company – dining with the owners and staff.  https://www.facebook.com/pages/Emu-Creek-Outback-Station-Stays/10150102321265483

Later that night I took a few night shots before retiring for the evening. Early the next morning was exquisite and the missus and I went for a walk and captured a few more images before returning for a lovely brekky and then heading out as we had to be back in Perth to drop off the rental car, pick up a scientific instrument for the missus’ upcoming research expedition on the Indian Ocean, and then, regretfully, get me back on the plane to Texas for work.

Should you find yourself in the Pilbarra region I thoroughly recommend you stay at Emu Creek Station and enjoy the hospitality of  Kylie and John Boyle and the staff.

We sure hope to return, only this time staying for a week or more to capture more of this beautiful place. I would thoroughly enjoy capturing the transition into “the wet” starting October’ish each year – this is monsoonal country. Hope you enjoy these photo’s, all of which are from around the homestead.

These images are all © Andrew and Allison McInnes/2AM Photography. All rights reserved.
To purchase please visit my website: http://andrew-mcinnes.artistwebsites.com/

The homestead bathed in soft pastel light.

Emu Creek Station 2AM-111414
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The next series of images are sequenced to illustrate the vitalness of water and the transition from pasture to riparian areas; each image will take you closer and closer to the permanent water-hole in the river until, finally, you can immerse yourself in the freshness of life’s liquid – vicariously at least.

Emu Creek Station 2AM-111436
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29549
Canon 30D with Canon 100-400mm f/4.5 -5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29453
Canon 30D with Canon 10-22mm f/3.5-4.5 lens at ISO 640.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29441
Canon 30D with Canon 10-22mm f/3.5-4.5 lens at ISO 640.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29495
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

I just love the flora of Australia and I thought these White River Gums to be fascinating.

Emu Creek Station 2AM-29490
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 500.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29536
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-29539
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111376
Canon 7D with Canon 24-105mm f/4 lens at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Typically I would not post such similar images as these two (above and below). However, experiencing the evening and the vista, I had distinctly different, yet very similar “feelings” when viewing this/these scenes. As such I am posting both as stand-alone images. Do you have a preference?

 

Emu Creek Station 2AM-111381
Canon 7D with Canon 24-105mm f/4 lens at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111424
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111426
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111427
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111439
Canon 7D with Canon 24-105mm f/4 lens at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

An alternative to homestead stays, there are numerous camping opportunities along the river; here is a sample camp-site (and the billy is on the boil).

Emu Creek Station 2AM-29558
Canon 30D with Canon 100-400mm f/4.5-5.6 lens at ISO 800.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111402
Canon 7D with Canon 10-22mm f/3.5-4.5 lens at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Emu Creek Station 2AM-111406
Canon 7D with Canon 10-22mm f/3.5-4.5 lens at ISO 400.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Ava good night 😉