Avian assault ;)

Posted on August 25, 2014 by Andrew McInnes Photography

An Australian Raven pesters an Australian Pelican near Fremantle, Western Australia.

I created this hexaptych to replay the scene.

Australian Pelican 2AM 007525-007530 hexaptych

Hotham Ridge Organic Winery – Wandering, Western Australia

Posted on February 6, 2014 by Andrew McInnes Photography

I recently had the pleasure of 36 hours at the lovely Hotham Ridge Winery at Wandering, Western Australia as I conducted a photo-shoot for the owners. At only a little beyond 1.5 hours from downtown Perth, this organic/biodynamic winery is a wonderful and proximal location to spend time relaxing with fine wine, delicious food, and gorgeous rammed-earth cottages that are refreshingly clean and quiet. The bistro utilizes a wood-fired oven to produce meals, from which I enjoyed what may well be the most delicious pizza I can recall – the “Classico.”

The following images are all taken at the winery – I hope you enjoy them, and if you are planning a visit to the Perth area I suggest you may want to consider spending time at Hotham Ridge Winery, even if only for a bite to eat and a sampling of their award winning wines.

Overlooking the Chardonnay, with a beautiful crop for this vintage.

1_Hotham Ridge Winery 2AM-003359-003361 panorama

Three-image stitch.
Copyright © Andrew McInnes. All rights reserved.

Looking back at the cottages, homestead, bistro, and winery.

The Dutch influenced homestead, and the two cottages – “Billie” and “Nina” – as seen from the bistro.

Here is “Billie’s” porch.

These old oak barrels, settled among a garden of ponds, flowing water, and birds-a-plenty, greet visitors on pathway to the cellar door and bistro.

The Magpie tapestry – illustrating the basis of the Hotham Ridge label.

5_Hotham-Ridge-Winery-2AM-003498 - 5D Mark III

The vintner’s vintages.

Vines, very soon to be relieved of their sweet bounty.

Dawn breaks over the Chardonnay. HDR image.
Copyright © Andrew McInnes. All rights reserved.

A red bicycle appearance among the vines.

This red bicycle makes an appearance in several of these images as the owners of the winery wanted the bicycle included in some of the scenes – I like it.
Copyright © Andrew McInnes. All rights reserved.

As this is an organic winery (certified), there is no herbicide or pesticide usage thus these young vines are competing with the remnants of the spring’s grass.
Copyright © Andrew McInnes. All rights reserved.

Mmmm, I see another award winning red in the making…

Table grapes drape and shade an outside table at the bistro.

The bountiful flora surrounding the Bistro entrance from the parking lot.

This short board-walk to the bistro is edged by a luscious pond and wetlands.

“The Wide World” as seen from the bistro garden area.

Ever closer, some of the outdoor bistro dining tables are revealed.

You have arrived at the bistro entrance

Times of yore; traps, sickles, and shears adorn the bistro wall.

Some of the available seating in the bistro – bench and table section.

Delightfully fresh wholemeal spelt sour-dough bread, fresh out of the wood-fired oven.

27_Hotham Ridge Winery 2AM-003550 - 5D Mark III

Awaiting oven’s readiness for my soon to be savoured “Classico” pizza!

28_Hotham-Ridge-Winery-2AM-003476-5D-Mark-III

To wrap up this express tour, I present a variety of visual vagaries 🙂

30_Hotham Ridge Winery 2AM-003591 - 5D Mark-III

Plumbago (Plumbago auriculata) in full bloom.
Copyright © Andrew McInnes. All rights reserved.

A eucalyptus gumnut – species yet to be confirmed.
Copyright © Andrew McInnes. All rights reserved.

Silvereye (Zosterops lateralis).
Copyright © Andrew McInnes. All rights reserved.

Highly aromatic flower of the caper plant.
Copyright © Andrew McInnes. All rights reserved.

Motorbike Frog (Litoria moorei).
Copyright © Andrew McInnes. All rights reserved.

Bulrush; Cattails; Cumbungi; Wonga; Reed-mace; raupo; (Typha)
Copyright © Andrew McInnes. All rights reserved.

Wild oats ablaze in dusk’s amazing light.
Copyright © Andrew McInnes. All rights reserved.

Curling bark.
Copyright © Andrew McInnes. All rights reserved.

Lichen on granite (primarily).
Copyright © Andrew McInnes. All rights reserved.

Wine vines swishing in silhouette before a highlight of wild oats.
Copyright © Andrew McInnes. All rights reserved.

Thanks for taking a look at my images.
Ciao for now.

A few quick photo shoots in Halifax and surrounds – Nova Scotia, Canada.

Posted on November 20, 2013 by Andrew McInnes Photography

I recently undertook an express visit with my wife to visit friends who were staying in Halifax for a period. I only managed to get out and photograph on a few occasions but was enamored of the area. Magnificent vistas, abundant maritime history, so ripe with scenery and scenes; I would have thoroughly enjoyed more time exploring and photographing. Nevertheless, here is a sampling of images from the very few times I was able to go walkabout. I hope you enjoy!

This is the first image I captured – I love the posture, gait, and apparent enthusiasm of the youngster; the dog’s tail; and the fact that the father had a bright red sweater on (excellent for ‘pop’ of people out in nature).

Halifax 2AM-000802
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f4.5 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A chicane of sorts …

Halifax 2AM-000834
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f5.6 for 1/2000 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Although we witnessed some glorious fall color, it was the same old situation of “you should have seen it last week!” 🙂
the next two images include a birch tree – the bark and patterning thereof fascinated me.

Halifax 2AM-000851
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Halifax 2AM-000860
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/400 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Definitely much color still available around the area, even if the leaves had fallen.

Halifax 2AM-000887
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4.5 for 1/1600 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Early in our visit our hosts took me out for a brief but wonderful excursion to Herring Cove. Although very overcast and gloomy, the light was lovely for scenes that didn’t include much, if any, sky. After this mini-hike it was time for lunch so we stopped in at “Now We’re Cookin’!” where I had the superb gastronomic pleasure of a dozen perfectly fried and ultra-delicious “Digby Clams.”

Here are a series of images from the Herring Cove Provincial Park Reserve from that visit:

I call this image “The Admiral” – hopefully you can deduce why 🙂 I captured one of our hosts overlooking a temporarily tranquil Atlantic Ocean – it was a fleeting opportunity to get the shot, so I did not have time to adjust the camera settings, hence the very slow shutter speed for a hand held shot. Thankfully I managed to be stable enough for a sharp image.

“The Admiral” – Herring Cove 2AM-000977
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Early into the gorgeous walk I found this scene and liked the various elements so much – hence this image to capture it 🙂

Herring Cove 2AM-000976
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Loved these rosehip berries!

Herring Cove 2AM-000982
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Herring Cove 2AM-001009
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Same general scene, different interpretation. My photographic mentor drummed into me to shoot and shoot and shoot a scene from numerous angles/interpretations, with a strict caveat that each composition/interpretation must be appealing to me, not just shooting a bunch and ‘hoping’ one of them will be ‘good’.

Herring Cove 2AM-001011
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A portion of the walking trail.

Herring Cove 2AM-001027
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

More of the meandering walking trail and a very typical scene of this splendid coast.

Herring Cove 2AM-001025
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

’twas a very blustery gloomy day and the smart one here (that would be me 🙂 ) decides to take a multi-hour exploratory walk around the Halifax waterfront to take in some of the history of this place. When I say it was blustery, it was really blowing! There is a bit of a tale from my home country that goes something like this: “Tie a brick onto a long piece of line and hang it so that it is free to swing. If the brick/string is vertical, there isn’t enough wind to go sailing; If the brick/string are horizontal, then perhaps there is a little too much wind for a sail; Anywhere in between = just right for a sail.” Well, the brick would have been darn near horizontal whilst I wandered around that particular day 😉
This block and blue line appealed to me as they hung and swung, suspended above the dark cold water. Hope you enjoy it too.

“Block and Blue” – Halifax 2AM-000914
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

I find the marine flora and fauna of cold water habitats fascinating, and Nova Scotia in early winter did not disappoint me.This image, and the mussel image following it, were taken on a bucking and rolling floating dock that was doing its non-level best to ensure that either I fell in the cold cold water, or dropped the camera into said water, or fail to get a sharp image of the subjects that were interesting me. I am very thankful that the 5D Mark III handles high ISO noise so bloody well!

Halifax 2AM-000931
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 3200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Halifax 2AM-000937
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Some scenes need capturing, despite the quality (or lack thereof) of available light; I thought this public art installation the Halifax Waterfront Boardwalk to be such a scene. This public art installation is a collaboration between Chris Hanson and Hendrika Sonnenberg. One of the lampposts (at rear in this image) is peeing in the ocean. The other two are on their way home after drinking too much – the closest has stumbled and fallen, the other is bending over to check if all is okay with the fallen one.

“Drunken Street Lights” – Halifax 2AM-000946
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Boardwalk boards (and nails)

Halifax 2AM-000958
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Whilst she isn’t particularly old, this yacht is reminiscent of a time apparently long gone, when vessels actually had lovely lines! Plus, what’s not to like about bowsprits, jib-booms, bowlines, and vertically seamed sails with stitched lines along the leech?

Halifax 2AM-000968
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/125 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A new day, and, well, there were some trees still shedding their colorful leaves, and a stunningly sky, so why not?

Halifax 2AM-001342
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/3200 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Halifax 2AM-001400
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/2500 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Dusk was rapidly descending on a bloody chilly day when I happened upon this lovely little yawl at rest on its mooring in a secluded and tranquil inlet.

Halifax 2AM-001083
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Sometimes “hard to figure out at first” is intriguing – to me at least 🙂

Halifax 2AM-001084
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A revisit to Herring Cove because the light was “cleaner.”

Herring Cove 2AM-001036
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A little ‘overflow’ creek from Powers Pond to the Atlantic Ocean (via Herring Cove).

Herring Cove 2AM-001043
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

To me these next two images typify coastal fishing hamlets.

Herring Cove 2AM-001038
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

To my eye, when strolling around town, this image was very appealing. Initial concerns about it being “too busy” rapidly dissipated – likely due to the location of the colored elements, the reflections, and the leading line of the dock. Perhaps I am mistaken?

Herring Cove 2AM-001108
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/250 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Speaking of reflections… here are two more from the walking trail at Herring Cove Provincial Park Reserve.

Herring Cove 2AM-001115
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/60 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A stunning blue sky, granite, and grass.

Herring Cove 2AM-001062
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

My final image from Herring Cove showing one side of the entrance to Herring Cove; the great blue yonder is the fabled ornery Atlantic.

Herring Cove 2AM-001066
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

On the coldest day of the winter thus far (it having snowed the first snow of the season the previous night), we ventured on a quick trip down to Peggy’s Cove – a gorgeous sunset, some ice in the rocky depressions of the granite headland, and it was blowing stink, and we were right on the edge of the Atlantic. Not blowing quite strong enough for there to be whitecaps in the toilet, but darn near!
The following images were all captured within roughly one hour, and again, I present 4 images with the lighthouse in it, each sufficiently appealing to me.

There were some strange light behavior happenings last evening during dusk at Peggy’s Cove – one with my lens glare (this image), the other some neat atmospherics (the next image).

Peggy’s Cove 2AM-001471
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/200 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

The three of us who were there together all were mesmerized by the vertical shaft of light – normally I expect to see crepuscular rays, but this instance had only the vertical element. As it was developing I was scampering around trying to find any element for foreground interest. “Beam me up” or perhaps a “batman-like beam.” 😉

Peggy’s Cove 2AM-001488
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 100.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Peggy’s Cove 2AM-001474
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Peggy’s Cove 2AM-001485
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/8 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

And to wrap up this visit to Halifax, Nova Scotia – Canada, here is a light-painting of the lighthouse at Peggy’s Cove – the primary purpose of the quick evening trip to Peggy’s Cove. I hope you enjoy this light-painting image – is was certainly the most difficult to make: my wife and our host said I looked a bit like a mountain goat running around over the rocks and boulders in the dark whilst painting the scene with my trusty Q-beam II Million power flashlight.

A light-painting – Peggy’s Cove 2AM-001515
Canon 5D Mark III with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

A few hours in the Great Smoky Mountains National Park, Tennessee.

Posted on October 22, 2013 by Andrew McInnes Photography

On the first day that the National Parks were reopened to the citizens who own them, I drove to the Smoky Mountains to have a few hours in Cades Cove – a truly remarkable location, and a visit I highly recommend.

All images are Copyright © Andrew McInnes/2AM Photography. All rights reserved.
If you wish to purchase prints please visit my website http://andrew-mcinnes.artistwebsites.com/ or send an Email to me.

I feel so very fortunate to see a family of American Black Bears up close and personal – sort of.

Peek-a-boo 🙂

American Black Bear_2AM-000210
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

Mama bear ascends. Such amazing claws/claw strength!

American Black Bear_2AM-000214
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

Unlike the assorted yahoo’s who observed the scene with me, I did not approach and stand under the tree!

American Black Bear_2AM-000371
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/125 second at ISO 1000 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

The fog was very thick when I first arrived. This scene/habitat is very similar to that where I observed the bears.

Cades Cove_2AM-000546
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/5 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

Morning light flashes the prairie through the fog.

Cades Cove_2AM-000553
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/8 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

This is not a monochrome/black-and-white treatment. Rather, the fog and rain and mist altered the light to what you see here.

Great Smoky Mountains_2AM-000528
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f22 for 1/13 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

The lovely winding road that leads to Cades Cove follows a stream for a good portion, and this lone tunnel is always intriguing to me. I stopped to take this image on my way out – the fall leaves are beginning to turn on a show right now!

Great Smoky Mountains_2AM-000079
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 6 seconds at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

These images are a mere sampling of the wondrous place that is the Great Smoky Mountains National Park. For more of my images of the park, swing over to some of my earlier/archived posts:

https://2amphotography.wordpress.com/2012/01/05/a-bloody-cold-shoot-in-the-mountains/
https://2amphotography.wordpress.com/2011/08/30/serenity-in-the-great-smoky-mountains-national-park/

Cheers,

Andrew

Same scene, different interpretation – Garner State Park, TX.

Posted on May 10, 2013 by Andrew McInnes Photography

I recently traveled to the beautiful Garner State Park, Texas to photograph night shots which were to include light-painting.

This blog contains two images; though they were the exact same composition, and both taken after twilight, these are two very different images.

The first image is your “standard” light-painting and was taken after humanly visible light had vanished:

Garner State Park 2AM-115918
A single capture with light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

The second image also includes light-painting, and the process of capturing this image was started about 10 minutes after the photo above. However, this second image is a “stacked” image – I took 61 photographs, the first of which was the light-painting on the trees and “Old Baldy” then a further 60 images were taken without any light-painting (the last image is a “blank” which helps reduce the digital noise). Total exposure time equates to a little over 40 minutes. Each image had the exact settings of the first photo posted (above) and I compiled them using software that is dedicated to stacking images.

Garner-State-Park-2AM-115920-115980_stackedImage2
61 image stack for a total exposure time of ~40 minutes.
Each frame/picture had the following settings:
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

I could have (and should have) taken a single, 40 minute long-exposure image as this would also have a slightly different interpretation of the scene. That longer exposure would have had more digital noise but smoother star-trails.

So from the same scene and the same composition we can get multiple interpretations/photographs by using different photographic techniques.

Hope you enjoyed these images 🙂

I have previously posted blogs showing this location (Garner State Park, Texas) in Fall color:

https://2amphotography.wordpress.com/2011/11/09/a-wet-and-colorful-weekend-near-utopia-tx/

https://2amphotography.wordpress.com/2011/11/28/fall-rotation-thanksgiving-2011-garner-state-park-tx/

A very brief trip to the Texas panhandle – Palo Duro Canyon, Cadillac Ranch, and Wind Turbines.

Posted on March 19, 2013 by Andrew McInnes Photography

The Texas panhandle is a fascinating region and I spend too little time there unfortunately. Recently I fit in a very quick trip to recharge. Here are a few images from that trip.

Prints of my images are available if you click on the Licensing/Purchasing images tab on this blog or click this link: https://2amphotography.wordpress.com/licensingpurchasing-images/

All images Copyright Andrew McInnes/2AM Photography.

Wind Turbine 2AM-114791
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 1/5 second at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

Cadillac Ranch 2AM-114850
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/2 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

Hoodoo at Capital Peak - Palo Duro Canyon 2AM-114814_7D_blog

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114814
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/800 second at ISO 200.
© Andrew McInnes/2AM Photography. All rights reserved.

Capital Peak - Palo Duro Canyon 2AM-114896_7D_blog

Capital Peak – Palo Duro Canyon 2AM-114896
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

Capital Peak - Palo Duro Canyon 2AM-114897_7D_blog

Capital Peak – Palo Duro Canyon 2AM-114897
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

Golden-fronted Woodpecker 2AM-30656_30D_blog

Golden-fronted Woodpecker 2AM-30656
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/320 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

White-winged Dove 2AM-30604
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/160 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

The Lighthouse - Palo Duro Canyon 2AM-114886_7D_blog

The Lighthouse – Palo Duro Canyon 2AM-114886
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/250 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

Hoodoo at Capital Peak - Palo Duro Canyon 2AM-114844_7D_blog

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114844
A light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 30 seconds at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

That is the end of this little adventure. Thanks for visiting!

A little bit of Grand ‘ole Texas – a photo-tour.

Posted on February 24, 2013 by Andrew McInnes Photography

Recently we had two friends from overseas visit with us at our home in Texas. Unfortunately their time in this great state was very limited so we were unable to show them much of Texas. To compensate, we instead created a ‘photo-journey’ through some of the diversity and grandeur contained within this state.

From the Gulf of Mexico and coastal marshes, to the Hill Country and on through to the mountains of West Texas…

1_Kemp's ridley sea turtle_Andrew McInnes-2AM-28367_small

Kemp’s ridley sea turtle.
© Andrew McInnes. All rights reserved.

2_Dawn Fishing_Andrew McInnes-2AM-24908_small

Dawn Fishing.
© Andrew McInnes. All rights reserved.

3_Trawler_Andrew McInnes-2AM-109703_small

Trawler.
© Andrew McInnes. All rights reserved.

4_Green Heron_Andrew McInnes-2AM-7848_small

Green Heron.
© Andrew McInnes. All rights reserved.

5_Great Egret Family_Andrew McInnes-2AM-7177_small

Great Egret family.
© Andrew McInnes. All rights reserved.

4_Caddo Lake State Park_Andrew McInnes-2AM-114548_small

Bald Cypress – a light-painting.
© Andrew McInnes. All rights reserved.

8_Pied-billed Grebe_Andrew McInnes-2AM-13193_small

Pied-billed Grebe.
© Andrew McInnes. All rights reserved.

9_Bluebonnet Highway_Andrew McInnes-2AM-28665_small

Bluebonnet highway.
© Andrew McInnes. All rights reserved.

10_Claret-cup Cactus_Andrew McInnes-2AM-28736_30D_small

Claret-cup cactus.
© Andrew McInnes. All rights reserved.

11_Sabinal River_Andrew McInnes-2AM-106270_small

Sabinal River dusk.
© Andrew McInnes. All rights reserved.

12_Poppies and fence_Andrew McInnes-2AM-110209_small

Poppies and fence.
© Andrew McInnes. All rights reserved.

13_Wildflowers and Fence_Andrew McInnes-2AM-110506_small

Wildflowers.
© Andrew McInnes. All rights reserved.

14_Sunflower and Ladybird Beetle_Andrew McInnes-2AM-110488_small

Sunflower and Ladybird Beetle.
© Andrew McInnes. All rights reserved.

15_Locust and Thistle_Andrew McInnes-2AM-110423_small

Locust and thistle.
© Andrew McInnes. All rights reserved.

17_Garner State Park_Andrew McInnes-2AM-27737_small

Fall and the Frio River.
© Andrew McInnes. All rights reserved.

18_Stockyards_Andrew McInnes-2AM-110286_small

Stockyards – a light-painting.
© Andrew McInnes. All rights reserved.

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Wild oats at dawn.
© Andrew McInnes. All rights reserved.

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Coyote.
© Andrew McInnes. All rights reserved.

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Independence Creek – an oasis in the desert.
© Andrew McInnes. All rights reserved.

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Salt flat – Permian Basin.
© Andrew McInnes. All rights reserved.

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Davis Mountains – a light-painting.
© Andrew McInnes. All rights reserved.

I hope you enjoyed this partial look at wondrous Texas. So much to experience, too little time.

Margaret River Region – Australia’s South West

Posted on December 28, 2012 by Andrew McInnes Photography

A region of diversity famous for its premium wines and stunning wineries, picturesque rural vistas, stunning forests, spectacular coast with both tranquil beaches and world-class surfing, plus fantastic views and proximity to the southward migration of humpback and other whales. Welcome to the Margaret River Region of Australia’s South West.

This is Canal Rocks under heavy swell.

Canal Rocks 2AM-113306
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/2 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

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Canon 7D with Canon 24-105mm f/4L lens. f20 for 0.3 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

A lovely “chute” with abundant epiphytes – an offshoot of the “canal”.

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Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/40 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The view as you descend to Canal Rocks.

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Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 250.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

A lovely drive through a karri forest.

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Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/15 second at ISO 100.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Boranup Karri Forest.

Boranup Karri Forest 2AM-111945
Canon 7D with Canon 24-105mm f/4L lens. f9 for 1/30 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

The now ruined Hamelin Bay Jetty was built in 1882 to service the local timber mills.

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Canon 7D with Canon 24-105mm f/4L lens. f5.5 for 1/1000 seconds at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

Proximal to the jetty ruins is a small public boat ramp.

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Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

This is the other portion of Hamelin Bay.

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Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/320 second at ISO 200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

If you are lucky (and perhaps brave), you might be fortunate enough to have the local stingrays pay you a visit – as they did here to my lovely wife. Although massive, these are “gentle” creatures – the worst you may experience is them nom-nomming (chewing) on your toes 🙂

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The “business end” of a massive ray (and another coming in from the back).

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Sugarloaf Rock, Cape Naturaliste.

Injidup Point, not far from the mouth of the Margaret River.

Injidup Point.

Dune and clouds at Moses Rocks.

Yallingup, a world famous surf-break which was quite that day, at dusk just before we nestled among the boulders to enjoy a quite beverage and hors d’oeuvres – magical.

A little color and softness among the colorful rocks at Yallingup.

Meelup Beach, a glorious place to take a dip.

Picnic table with a view – Meelup Beach.

Castle Rock, just around the point from Meelup Beach. Climbing the point nearby allows for unfettered views of Geographe Bay and the Indian Ocean.

Same feature, different view/feel.

A ketch at anchor in the tranquility afforded by Geographe Bay – viewed from “whale lookout” at Castle Rock.

This lovely tranquil beach with its clear and clean water also has portions dotted with boulders, some of which are partially submerged.

More rocks, first by daylight, then after dusk – with light added by flashlight.

Hues of blue – a light-painting.

Dusk at Castle Rock.

Ah, the primary image I originally went to Castle Rock for: A light painting with stars and meteorite.
I had to rock-hop in a mad dash once I set the self timer for the exposure in order to position myself such that the shadows/light source were creating the feel I wanted. Thankfully no falls or broken ankles!

Southern Forests Region – Australia’s South West

Posted on December 15, 2012 by Andrew McInnes Photography

A scenic 36 hours spent in and around magnificent karri, marri and tingle forests (including the “Valley of the Giants”), undulating terrain sliced by numerous rivers and streams, fertile orchards and vineyards, all edged by dramatic cliffs, estuaries, and beaches along the Southern Ocean – welcome to the Southern Forests Region of Australia’s South West.

Here are three images from Fernhook Falls on the Deep River.

Among the forest under-story these “flowers” really “Popped”.

Color and lushness were pleasant surprises far below the forest canopy.

An early morning bath in renewing rain and nourishing light greet the forest, including a youngish Karri tree.

This walkway allowed for magical, if wobbly views of Beedalup Falls near Pemberton.

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Beedelup Falls - Pemberton 2AM-113039_7D

A grand old Tingle Tree (a so-called Giant Tingle Tree) in the Walpole Wilderness Area. This tree has a circumference of almost 25 meters and is thought to be the oldest living eucalypt in the world. The heartwood has been ravaged by numerous fires yet the tree survives because the “living and growing parts” (xylem and phloem) and located just under the bark.

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An exposed portion of roots from the Giant Tingle Tree – resilience and form.

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Nearby, a fern seeks the light after establishing itself in the decaying hulk of an old tingle tree – decomposition and succession at work!

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When stirred up by pulses in river flow, Saponin – a leachate type product from plants breaking down in the water – causes a frothy, often cappuccino-like surface in Circular Pool. The pool’s name refers not to the shape – rather, it is for the currents and resultant eddies (circular flow) which create a myriad of patterns such as this, ephemeral as this pattern is as it is continually morphing.

The Cascades section of Lefroy Brook also contains serene little embayments where the water is calm, such as this little spot.

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Segue (of sorts)…

This is a Spotted Pardalote, a tiny and at this time of year very industrious “little colorful job.” I was enthralled for a considerable time as I enjoyed several of these birds gathering their nesting material alongside the Warren River, near Pemberton.

Dawn and fog caress the Warren River and surrounding forest – near Pemberton.

The coast, an innate yearning for most Australians. A rainy dawn at Nornalup Inlet, near Walpole, where estuary becomes ocean.

My final two photo-blogs from this trip to Western Australia will be images from Fremantle and the Margaret River Region. I hope you enjoy my existing photo’s and will visit the new posts when they occur.

Blackwood River Valley Region and Geographe Region – Australia’s South West

Posted on December 9, 2012 by Andrew McInnes Photography

The purpose of this particular trip was that I planned to do some long-exposure night images to capture the Orionid meteor shower with a light-painting of the ubiquitous grass-tree in the foreground. Unfortunately my planning was awry so only managed to get a few shots before the rising sun burnt-out the stars. Alas, no meteors included in the images but I am well-pleased with the resultant grass-tree images.

On the drive to the region we passed through the Geographe Region and a wonderful little ruin near the town of Boyanup. We captured some images of this ruin during the day and determined we would return to “light-paint” the building and its associated trees that night.

Here is the ruin by day