A few quick photo shoots in Halifax and surrounds – Nova Scotia, Canada.

I recently undertook an express visit with my wife to visit friends who were staying in Halifax for a period. I only managed to get out and photograph on a few occasions but was enamored of the area. Magnificent vistas, abundant maritime history, so ripe with scenery and scenes; I would have thoroughly enjoyed more time exploring and photographing. Nevertheless, here is a sampling of images from the very few times I was able to go walkabout. I hope you enjoy!

This is the first image I captured  – I love the posture, gait, and apparent enthusiasm of the youngster; the dog’s tail; and the fact that the father had a bright red sweater on (excellent for ‘pop’ of people out in nature).

Halifax 2AM-000802

Halifax 2AM-000802
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f4.5 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A chicane of sorts …

Halifax 2AM-000834

Halifax 2AM-000834
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f5.6 for 1/2000 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Although we witnessed some glorious fall color, it was the same old situation of “you should have seen it last week!” 🙂
the next two images include a birch tree – the bark and patterning thereof fascinated me.

Halifax 2AM-000851

Halifax 2AM-000851
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000860

Halifax 2AM-000860
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/400 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Definitely much color still available around the area, even if the leaves had fallen.

Halifax 2AM-000887

Halifax 2AM-000887
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4.5 for 1/1600 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early in our visit our hosts took me out for a brief but wonderful excursion to Herring Cove. Although very overcast and gloomy, the light was lovely for scenes that didn’t include much, if any, sky. After this mini-hike it was time for lunch so we stopped in at “Now We’re Cookin’!” where I had the superb gastronomic pleasure of a dozen perfectly fried and ultra-delicious “Digby Clams.”

Here are a series of images from the Herring Cove Provincial Park Reserve from that visit:

I call this image “The Admiral” – hopefully you can deduce why 🙂  I captured one of our hosts overlooking a temporarily tranquil Atlantic Ocean – it was a fleeting opportunity to get the shot, so I did not have time to adjust the camera settings, hence the very slow shutter speed for a hand held shot. Thankfully I managed to be stable enough for a sharp image.

Herring Cove 2AM-000977

“The Admiral” – Herring Cove 2AM-000977
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early into the gorgeous walk I found this scene and liked the various elements so much – hence this image to capture it 🙂

Herring Cove 2AM-000976

Herring Cove 2AM-000976
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Loved these rosehip berries!

Herring Cove 2AM-000982

Herring Cove 2AM-000982
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Herring Cove 2AM-001009

Herring Cove 2AM-001009
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Same general scene, different interpretation. My photographic mentor drummed into me to shoot and shoot and shoot a scene from numerous angles/interpretations, with a strict caveat that each composition/interpretation must be appealing to me, not just shooting a bunch and ‘hoping’ one of them will be ‘good’.

Herring Cove 2AM-001011

Herring Cove 2AM-001011
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A portion of the walking trail.

Herring Cove 2AM-001027

Herring Cove 2AM-001027
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

More of the meandering walking trail and a very typical scene of this splendid coast.

Herring Cove 2AM-001025

Herring Cove 2AM-001025
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

’twas a very blustery gloomy day and the smart one here (that would be me 🙂 ) decides to take a multi-hour exploratory walk around the Halifax waterfront to take in some of the history of this place. When I say it was blustery, it was really blowing! There is a bit of a tale from my home country that goes something like this: “Tie a brick onto a long piece of line and hang it so that it is free to swing. If the brick/string is vertical, there isn’t enough wind to go sailing; If the brick/string are horizontal, then perhaps there is a little too much wind for a sail; Anywhere in between = just right for a sail.” Well, the brick would have been darn near horizontal whilst I wandered around that particular day 😉
This block and blue line appealed to me as they hung and swung, suspended above the dark cold water. Hope you enjoy it too.

Halifax 2AM-000914

“Block and Blue” – Halifax 2AM-000914
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

I find the marine flora and fauna of cold water habitats fascinating, and Nova Scotia in early winter did not disappoint me.This image, and the mussel image following it, were taken on a bucking and rolling floating dock that was doing its non-level best to ensure that either I fell in the cold cold water, or dropped the camera into said water, or fail to get a sharp image of the subjects that were interesting me. I am very thankful that the 5D Mark III handles high ISO noise so bloody well!

Halifax 2AM-000931

Halifax 2AM-000931
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 3200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000937

Halifax 2AM-000937
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Some scenes need capturing, despite the quality (or lack thereof) of available light; I thought this public art installation the Halifax Waterfront Boardwalk to be such a scene. This public art installation is a collaboration between Chris Hanson and Hendrika Sonnenberg. One of the lampposts (at rear in this image) is peeing in the ocean. The other two are on their way home after drinking too much – the closest has stumbled and fallen, the other is bending over to check if all is okay with the fallen one.

Halifax 2AM-000946

“Drunken Street Lights” – Halifax 2AM-000946
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Boardwalk boards (and nails)

Halifax 2AM-000958

Halifax 2AM-000958
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Whilst she isn’t particularly old, this yacht is reminiscent of a time apparently long gone, when vessels actually had lovely lines! Plus, what’s not to like about bowsprits, jib-booms, bowlines, and vertically seamed sails with stitched lines along the leech?

Halifax 2AM-000968

Halifax 2AM-000968
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/125 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A new day, and, well, there were some trees still shedding their colorful leaves, and a stunningly sky, so why not?

Halifax 2AM-001342

Halifax 2AM-001342
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/3200 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-001400

Halifax 2AM-001400
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/2500 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Dusk was rapidly descending on a bloody chilly day when I happened upon this lovely little yawl at rest on its mooring in a secluded and tranquil inlet.

Halifax 2AM-001083

Halifax 2AM-001083
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Sometimes “hard to figure out at first” is intriguing – to me at least 🙂

Halifax 2AM-001084

Halifax 2AM-001084
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A revisit to Herring Cove because the light was “cleaner.”

Herring Cove 2AM-001036

Herring Cove 2AM-001036
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A little ‘overflow’ creek from Powers Pond to the Atlantic Ocean (via Herring Cove).

Herring Cove 2AM-001043

Herring Cove 2AM-001043
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To me these next two images typify coastal fishing hamlets.

Herring Cove 2AM-001038

Herring Cove 2AM-001038
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To my eye, when strolling around town, this image was very appealing. Initial concerns about it being “too busy” rapidly dissipated – likely due to the location of the colored elements, the reflections, and the leading line of the dock. Perhaps I am mistaken?

Herring Cove 2AM-001108

Herring Cove 2AM-001108
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/250 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Speaking of reflections… here are two more from the walking trail at Herring Cove Provincial Park Reserve.

Herring Cove 2AM-001115

Herring Cove 2AM-001115
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/60 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A stunning blue sky, granite, and grass.

Herring Cove 2AM-001062

Herring Cove 2AM-001062
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

My final image from Herring Cove showing one side of the entrance to Herring Cove; the great blue yonder is the fabled ornery Atlantic.

Herring Cove 2AM-001066

Herring Cove 2AM-001066
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

On the coldest day of the winter thus far (it having snowed the first snow of the season the previous night), we ventured on a quick trip down to Peggy’s Cove – a gorgeous sunset, some ice in the rocky depressions of the granite headland, and it was blowing stink, and we were right on the edge of the Atlantic. Not blowing quite strong enough for there to be whitecaps in the toilet, but darn near!
The following images were all captured within roughly one hour, and again, I present 4 images with the lighthouse in it, each sufficiently appealing to me.

There were some strange light behavior happenings last evening during dusk at Peggy’s Cove – one with my lens glare (this image), the other some neat atmospherics (the next image).

Peggy's Cove 2AM-001471

Peggy’s Cove 2AM-001471
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/200 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.


The three of us who were there together all were mesmerized by the vertical shaft of light – normally I expect to see crepuscular rays, but this instance had only the vertical element. As it was developing I was scampering around trying to find any element for foreground interest. “Beam me up” or  perhaps a 
“batman-like beam.” 😉

Peggy's Cove 2AM-001488

Peggy’s Cove 2AM-001488
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 100.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001474

Peggy’s Cove 2AM-001474
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001485

Peggy’s Cove 2AM-001485
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/8 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

And to wrap up this visit to Halifax, Nova Scotia – Canada, here is a light-painting of the lighthouse at Peggy’s Cove – the primary purpose of the quick evening trip to Peggy’s Cove. I hope you enjoy this light-painting image – is was certainly the most difficult to make: my wife and our host said I looked a bit like a mountain goat running around over the rocks and boulders in the dark whilst painting the scene with my trusty Q-beam II Million power flashlight.

Peggy's Cove 2AM-001515

A light-painting – Peggy’s Cove 2AM-001515
Canon 5D Mark III with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

 

 

 

 

 

 

A few hours in the Great Smoky Mountains National Park, Tennessee.

On the first day that the National Parks were reopened to the citizens who own them, I drove to the Smoky Mountains to have a few hours in Cades Cove – a truly remarkable location, and a visit I highly recommend.

All images are Copyright © Andrew McInnes/2AM Photography. All rights reserved.
If you wish to purchase prints please visit my website http://andrew-mcinnes.artistwebsites.com/ or send an Email to me.

 

I feel so very fortunate to see a family of American Black Bears up close and personal – sort of.

Peek-a-boo 🙂

American Black Bear_2AM-000210

American Black Bear_2AM-000210
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Mama bear ascends. Such amazing claws/claw strength!

American Black Bear_2AM-000214

American Black Bear_2AM-000214
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Unlike the assorted yahoo’s who observed the scene with me, I did not approach and stand under the tree!

American Black Bear_2AM-000371

American Black Bear_2AM-000371
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/125 second at ISO 1000 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

The fog was very thick when I first arrived. This scene/habitat is very similar to that where I observed the bears.

Cades Cove_2AM-000546

Cades Cove_2AM-000546
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/5 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Morning light flashes the prairie through the fog.

Cades Cove_2AM-000553

Cades Cove_2AM-000553
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/8 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

This is not a monochrome/black-and-white treatment. Rather, the fog and rain and mist altered the light to what you see here.

Great Smoky Mountains_2AM-000528

Great Smoky Mountains_2AM-000528
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f22 for 1/13 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

The lovely winding road that leads to Cades Cove follows a stream for a good portion, and this lone tunnel is always intriguing to me. I stopped to take this image on my way out – the fall leaves are beginning to turn on  a show right now!

Great Smoky Mountains_2AM-000079

Great Smoky Mountains_2AM-000079
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 6 seconds at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

 

These images are a mere sampling of the wondrous place that is the Great Smoky Mountains National Park. For more of my images of the park, swing over to some of my earlier/archived posts:

https://2amphotography.wordpress.com/2012/01/05/a-bloody-cold-shoot-in-the-mountains/
https://2amphotography.wordpress.com/2011/08/30/serenity-in-the-great-smoky-mountains-national-park/

 

Cheers,

Andrew

 

 

 

 

Same scene, different interpretation – Garner State Park, TX.

I recently traveled to the beautiful Garner State Park, Texas to photograph night shots which were to include light-painting.

 

This blog contains two images; though they were the exact same composition, and both taken after twilight, these are two very different images.

The first image is your “standard” light-painting and was taken after humanly visible light had vanished:

Garner State Park 2AM-115918

Garner State Park 2AM-115918
A single capture with light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

The second image also includes light-painting, and the process of capturing this image was started about 10 minutes after the photo above.  However, this second image is a “stacked” image – I took 61 photographs, the first of which was the light-painting on the trees and “Old Baldy” then a further 60 images were taken without any light-painting (the last image is a “blank” which helps reduce the digital noise). Total exposure time equates to a little over 40 minutes. Each image had the exact settings of the first photo posted (above) and I compiled them using software that is dedicated to stacking images.

Garner-State-Park-2AM-115920-115980_stackedImage2

Garner-State-Park-2AM-115920-115980_stackedImage2
61 image stack for a total exposure time of ~40 minutes.
Each frame/picture had the following settings:
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

 

I could have (and should have) taken a single, 40 minute long-exposure image as this would also have a slightly different interpretation of the scene. That longer exposure would have had more digital noise but smoother star-trails.

 

So from the same scene and the same composition we can get multiple interpretations/photographs by using different photographic techniques.

Hope you enjoyed these images 🙂

 

I have previously posted blogs showing this location (Garner State Park, Texas) in Fall color:

https://2amphotography.wordpress.com/2011/11/09/a-wet-and-colorful-weekend-near-utopia-tx/

https://2amphotography.wordpress.com/2011/11/28/fall-rotation-thanksgiving-2011-garner-state-park-tx/

 

 

A very brief trip to the Texas panhandle – Palo Duro Canyon, Cadillac Ranch, and Wind Turbines.

The Texas panhandle is a fascinating region and I spend too little time there unfortunately. Recently I fit in a very quick trip to recharge. Here are a few images from that trip.

Prints of my images are available  if you click on the Licensing/Purchasing images tab on this blog or click this link: https://2amphotography.wordpress.com/licensingpurchasing-images/

All images Copyright Andrew McInnes/2AM Photography.

 

Wind Turbine 2AM-114791_7D_blog

Wind Turbine 2AM-114791
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 1/5 second at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Cadillac Ranch 2AM-114850_7D_blog

Cadillac Ranch 2AM-114850
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/2 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Hoodoo at Capital Peak - Palo Duro Canyon 2AM-114814_7D_blog

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114814
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/800 second at ISO 200.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Capital Peak - Palo Duro Canyon 2AM-114896_7D_blog

Capital Peak – Palo Duro Canyon 2AM-114896
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Capital Peak - Palo Duro Canyon 2AM-114897_7D_blog

Capital Peak – Palo Duro Canyon 2AM-114897
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Golden-fronted Woodpecker 2AM-30656_30D_blog

Golden-fronted Woodpecker 2AM-30656
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/320 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

 

White-winged Dove 2AM-30604_30D_blog

White-winged Dove 2AM-30604
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/160 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

 

The Lighthouse - Palo Duro Canyon 2AM-114886_7D_blog

The Lighthouse – Palo Duro Canyon 2AM-114886
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/250 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

 

Hoodoo at Capital Peak - Palo Duro Canyon 2AM-114844_7D_blog

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114844
A light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 30 seconds at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

 

That is the end of this little adventure. Thanks for visiting!

 

 

 

Light-painting: before-and-after shots in West Texas.

I have a fondness for photographing so-called “light-paintings” and sometimes they are the only keeper shots I return with if the available light doesn’t have the magic quality. Here are two different scenes illustrating why sometimes a light-painting can bring an otherwise flat scene to life. (NOTE: for these particular images the moon was in its first quarter and therefore contributed to the overall scene – I prefer no moon for these shots but sometimes my free time doesn’t align with those preferences).

DISCLAIMER: In no way do I present myself as an expert on this technique – or anything photographic. Rather, I present these images and technique to illustrate how I capture light-painting images. Hope you enjoy 🙂

This first pair of images of boulders (1a and 1b) were taken roadside – I desperately wanted to shoot this from the private ranch on which they are located but was denied permission. Nonetheless, I found the subject/scene sufficiently interesting and returned and found this composition, without trespassing 🙂

The second pair of images (2a and 2b) were taken later the same evening as the pair above.

 

Image #1a:

A ‘blank’ shot (no light-painting) to determine the exposure I wanted for the sky and to check the composition. VERY ordinary!

Rockpile Ranch 2AM-114640_7D_1a

Rockpile Ranch 2AM-114640_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 25 seconds at ISO 3200.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Image #1b:

Resultant light-painting image.

Rockpile Ranch 2AM-114641_7D_1b

Rockpile Ranch 2AM-114641_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f4 for 30 seconds at ISO 1600.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

For the fence posts ‘painting’ I used a  MAG-LITE  ® with a home-made snoot to reduce light spill on the surrounds – approximately 3 seconds of light-painting. The boulders were ‘painted’ for approximately 27 seconds using a Brinkmann Q-Beam ® 3 million  candlepower spotlight (rechargeable and inexpensive at approximately $40). This image was taken at 7:50 PM. Color temperature for 1a and 1b was 4000.

 

Image #2a:

A ‘blank’ shot (no light-painting) to determine the exposure I wanted for the sky and to check the composition. As such no light was added to the scene. Again, VERY ordinary!

Davis Mountains State Park 2AM-114643_7D_2a

Davis Mountains State Park 2AM-114643_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f4 for 20 seconds at ISO 1600.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

 

Image #2b:

Resultant light-painting image.

Davis Mountains State Park 2AM-114647_7D_2b

Davis Mountains State Park 2AM-114647_7D
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5 for 30 seconds at ISO 1600.
© Andrew and Allison McInnes/2AM Photography. All rights reserved.

After the ‘blank’ shot I made a slight adjustment to the composition to reduce foreground and increase sky/stars. For the external ‘painting’ I used a  MAG-LITE  ® with a home-made snoot to reduce light spill on the surrounds – approximately 25 seconds of light-painting. The interior was ‘painted’ for approximately 2 seconds using quick pulses from a Brinkmann Q-Beam ®. This light was used because of its inherent warm color, to simulate the glow from a fire. This large light is what I typically use when the subject is not immediately proximate. This image was taken at 9:20 PM. Color temperature for images 2a and 2b was 3200.

Any comments or thoughts are appreciated. My appreciation to Ken Zoller for his locations “guiding” by cell-phone 😉

I am soon to post a photo-blog that highlights some of my light-paintings – please stay posted 🙂

 

 

 

Recent shots from surrounding area.

Per a previous “encouragement” by my photography mentor – Wyman Meinzer – to see the beauty where I am, I have been trying to shoot several times each week, regardless of the weather, wind, and anthropomorphic elements cluttering the scene. I figure I better just run with what there is to capture. Here is an assortment which I hope you enjoy.

I reckon you weren't expecting this though! Perhaps Deere & Company would like this one for their advertising? Wishful thinking.

 

More tractors heading out from the Port of Galveston.

 

Wetlands proximal to our neighborhood (same area in previous blog: "blessed-rain...").

 

Same area as above but this time I was going for the "African Serengeti" feel (ignore the modern looking "huts").

 

Serengeti 'ish. (Smith Point, Galveston Bay).

 

The view from our back deck/porch - it seems it hasn't been calm for months. The glow on the clouds is a result of Texas City petrochemical plants - thankfully we are located upwind of this.

 

These lovely White Pelicans are only in the area while they overwinter.

 

White Pelican preening.

 

Nearby Brazoria National Wildlife Refuge (BNWR). This area was, until very recently, dry enough to run a tractor and plow through. However, the Houston area has received in excess of 11 inches of rain for the first 8 weeks or so of 2012.

 

BNWR again.

 

Endangered Kemp's Ridley sea turtle in rehabilitation at Texas A&M University at Galveston's Sea Life Facility.

 

Kemp's Ridley sea turtle (same individual as above).

 

Cold and foggy morning at Texas A&M University at Galveston campus.

 

Definitely NOT the Serengeti. This is the same shrimp boat featured in a previous blog ("Texas City Dusk..."). I was limited on time and the clouds were starting to look wonderful so chose to re-shoot the trawler.

 

Simple but interesting to me.

 

Sunrise and an offshore rig in Galveston Ship Channel.

 

Atmospheric clouds - as opposed to the cloud of swarming mosquitos as the missus' and I tried to enjoy a cold beverage watching these clouds and the dusk.

 

I took this picture on Valentine's Day of two red-eared slider's "smooching" (please indulge my foray into anthropomorphism) - must be a real "toe-curler" of a kiss (check out the right-rear foot of the big one on the right).

 

 

 

Fall Rotation – Thanksgiving 2011, Garner State Park, TX.

Had a wonderful several days at Garner State Park, Texas, where we reflected in nature on the immense blessing in our lives. The season provided a splendid variety of light, a foggy morn’, color on the Cypress trees, a dazzlingly clear calm evening for a North Star and rotation shot, and all-around pleasing to the eyes experience. Highly recommend Garner State Park (especially November).

“Cypress Stars.”
Light painting: Canon EOS 7D with Canon EF-S10-22mm f/3.5-4.5 lens. f4.5 for 72 seconds at ISO 2000.

 

“Reflecting on Thanksgiving.”
Light Panting: Canon EOS 7D with Canon EF-S10-22mm f/3.5-4.5 lens. f4.5 for 208 seconds at ISO 400.

 

“Garner Rocks.”
Light Panting: Canon EOS 7D with Canon EF-S10-22mm f/3.5-4.5 lens. f4.5 for 46 seconds at ISO 1000.

 

“Partial Pinwheel.”
Canon EOS 7D with Canon EF-S10-22mm f/3.5-4.5 lens. f4.5 for 1298 seconds at ISO 400.

 

“Foggy Fall Foliage.”
Canon EOS 30D with Canon EF 100-400mm f/4.5-5.6L lens. f/14 for 1/13 second at ISO 200.

 

“Foggy Frio #1.”
Canon EOS 30D with Canon EF 100-400mm f/4.5-5.6L lens. f/14 for 1/25 second at ISO 200.

 

“Foggy Frio #2.”
Canon EOS 30D with Canon EF 100-400mm f/4.5-5.6L lens. f/14 for 1/13 second at ISO 200.

 

“Foggy Frio #3.”
Canon EOS 30D with Canon EF 100-400mm f/4.5-5.6L lens. f/14 for 1/25 second at ISO 200.

 

“Foggy Frio #4.”
Canon EOS 7D with Canon EF 10-22mm f/3.5-4.5 lens. f/10 for 1/30 second at ISO 100.

 

“Foggy Frio #5.”
Canon EOS 7D with Canon EF 10-22mm f/3.5-4.5 lens. f/10 for 1/60 second at ISO 100.

 

“Foggy Frio #6.”
Canon EOS 7D with Canon EF 10-22mm f/3.5-4.5 lens. f/10 for 1/50 second at ISO 100.

 

“Fall on the Frio.”
Canon EOS 7D with Canon EF 10-22mm f/3.5-4.5 lens. f/11 for 1/50 second at ISO 100.

 

“Fall on the Frio #2.”
Canon EOS 7D with Canon EF 10-22mm f/3.5-4.5 lens. f/11 for 1/30 second at ISO 100.

 

“Stormy mornin’.”
Canon EOS 7D with Canon EF 10-22mm f/3.5-4.5 lens. f/11 for 1/8 second at ISO 250.

 

 

 

The “Roaring Lion” (Brazos River) is dry!

A southern plains dawn - radiating radiation above a wheat field abutting the Brazos riparian zone.


As the sun awakes
 and pokes its head out from under its bedcovers, caressing me with a startling, crisp, and clear light, I ponder and reflect on open spaces, friends, dreams, and the joy of a life intimately shared.

I recently travelled up to the upper section of the Brazos River to photograph it in its current very-low-flow regime. My host and guide was the fabulous photographer, and Texas treasure, Wyman Meinzer. This sunrise image was taken on our last morning shoot. I was very fortunate to test my latest lens, the Canon EF-S 10-22mm f/3.5-4.5 USM autofocus lens for my 7D camera – I am delighted with it!

The following images are a sample through which the severity of this historic drought can be partially comprehended. Seeing the river in this state illustrated that these natural systems are indeed “living”, and not a static, benign, undepletable featureless feature.

Please note: the water shown in these photos are actually isolated, shallow, and unconnected “pockets” of very hot, highly saline, and by my estimation hypoxic/anoxic stagnant water. The river no-longer (for now at least) cuts a swath through this gorgeous red land. Instead of a red load we see a red-bed caked and crusted with concentrations of organics and crystals of salt – this is gypsum country.

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Despite the dry
I am reminded that nature possesses a resounding resilience; natural processes and time, along with selection pressures and genetic diversity, allow adaptability, specialists and generalists, transition, recolonization, and succession – the river system still sustains life.

 

 

 


Someday
(hopefully very soon as many fine hard-working folks, along with flora and fauna, are enduring challenging times) the Brazos will rear up and roar again; at that time the rust colored strata will cease to be dust, instead, renewed by glistening life-flows, the southern plains shall be resuscitated and exuberant in the water of life.