Some images of the granite Wave Rock, near Hyden, Western Australia. These three images are taken over a period of 30 minutes – two are light-paintings and one (the first image here) is with no light -painting.
Cheers 🙂
Some images of the granite Wave Rock, near Hyden, Western Australia. These three images are taken over a period of 30 minutes – two are light-paintings and one (the first image here) is with no light -painting.
Cheers 🙂
‘nuf said?
The Liverpool Plains is a prime food and fibre producing area that is under imminent threat from several coal mines – at least one of which, the Shenhua Watermark mine, is foreign-owned (Chinese). These companies seek to rape and scar the land, deplete and contaminate aquifers, then pack up and leave once the destruction is no longer financially viable. Never mind that there are farmers, you know, living breathing hard-working people, with families and dreams, enduring incredible stress as they seek to remain being outstanding stewards of the land they sweat for. How and why our political “representatives” allow this is beyond me – I suppose it goes along with their belief in continued economic growth year on year. Well, let’s inform them that exponential growth is unattainable and to seek it is ignorantly irresponsible (but I guess it is politically astute?).
I am not against mining, per se, however I do have issues with “the commons” being over-extracted for the profits of a few whilst the landholder has little recompense for the invasion, and the people of this nation see very little direct financial benefits. As another roadside sign in the area states: “Wrong mine, wrong place.”

A pre-dawn light painting at Breeza, on the Liverpool Plains, NSW. Breeza 2AM-001230 ©Andrew McInnes.
I hope you enjoyed these images.
Cheers 🙂
This is overlooking Virgin Rock and the town of Springsure in the Central Highlands Region of Queensland, Australia – as seen from Minerva Hills National Park. As is my want, I hiked in a few hours too early with all the required equipment and froze my bum off, waiting for dusk’s blue hour and the town lights to be on, in order to light-paint this scene…
This is the “before” image, taken on iPhone 5:
And this is the subsequent light-painting image.
The remaining images here are different views of Mount Zamia escarpment, incorporating Virgin Rock:
This is a light-painting of the entrance to Springsure Golf Club.
For the following shots it was 1 degree C, and silly me, I was out photographing in thongs (i.e. Flip flops, not the underwear variety), light summer fishing pants, t-shirt and an old hoodie! Brrr.
On the left is Virgin Rock – a feature of the Mount Zamia escarpment.
The following two images are essentially very similar compositions, but were taken 50 minutes apart.
different light = different feel.
Hope you enjoyed a brief glimpse of this beautiful area of Queensland.
Cheers.
Near Streaky Bay, South Australia, there is a farmer’s field containing numerous pink granitic rock formations – known as inselbergs (or monadnocks for those of you in the U.S.A.) and are located between Streaky Bay and Port Kenny on the Eyre Peninsula in South Australia.
Both of these images are light paintings.
For this first image I wanted to create a look of Aboriginal rock art being illuminated by fires in the recesses between the boulders. This is a stacked image.
For this second image I wanted to create the look/feel of a giant wave breaking over a boulder on a beach (hence the use of the blue gel on a flash) – the light-painting was a duo effort, one with an orange lights, one with a LED light.
Into the Kimberley Region…
If you plan on being near Halls Creek I thoroughly recommend taking the time to explore along Duncan Road…
China Wall – a quartz outcrop.

China Wall 2AM-002820. © 2014 Andrew McInnes.
A light painting of China Wall.
The very refreshing, and aptly named, Palm Springs.
A ‘selfie’ in Palm Springs – lovely safe place for a dip.
Mulla mulla wildflowers along Duncan Road, Halls Creek.
One of the water crossings along Duncan Road, Halls Creek.
Sawtooth Gorge is a beautiful and secluded camping/visiting area- well worth the short bumpy dirt road in.
An iconic avian species – the Wedge-tailed Eagle – perched on a termite mound outside Fitzroy Crossing.
An iconic boab tree at dusk on the Great Northern Highway – a common Kimberley vista.

Boab Sunset 2AM 2791 and 2793_pano2. © 2014 Andrew McInnes.
During my recent >9,000 km road trip highway vistas like this one routinely had me in awe of the scenic beauty of this wonderful land.
Oh, how I enjoy the tranquillity of a sleepy river and the Australian bush. This is the De Grey River and rail bridge just off the Great Northern Highway near Port Headland, Western Australia. I didn’t camp here but I did enjoy the respite as I stretched my legs during the long drive.
Travelling is full of surprises…
The ubiquitous road train: some transport livestock, some transport supplies, and for others, like this one, it is iron ore.

Common colours of the Pilbara – red, green, gold. Autumn flowers on a red dune. © 2014 Andrew McInnes.
Thanks for swinging by and I hope you enjoyed these photo’s of my travels.
This post contains images from my express visit to Coral Bay and Exmouth, Western Australia.
Ah, the tropics 🙂
These next three images are from Coral Bay – a stunning and simple place.

The front of the image is shallow water over a sand substrate; this then abruptly drops off into a deepish lagoon which is protected by Ningaloo Reef (Australia’s “other” reef) in the background. © 2014 Andrew McInnes.

A mooring line and buoy – the cerulean water deepens rapidly here, making for fantastic swimming. © 2014 Andrew McInnes.
Unfortunately I only spent about 8 hours in Exmouth which is nowhere near sufficient. Nevertheless, here are some scenes of this fascinating area.

A light-painting of Yardie Creek (Cape Range National Park) during dusk’s blue hour. © 2014 Andrew McInnes.
A light-painting of the retired (non-functioning) Vlamingh Head Lighthouse – Exmouth. The evening air was thick with moisture from the Indian Ocean as it pounded Ningaloo Reef so I thought I’d make an image to suggest how the light from the lighthouse may have appeared to mariners of yore. During the 30 second exposure I mimicked a beam of light from the lighthouse by aiming my spotlight on the structure for a few seconds, allowing the moisture in the air to appear as a beam.
This image includes the Southern Cross (and pointers), along with a portion of the Milky Way.

Star trails caress the retired (non-functioning) Vlamingh Head Lighthouse – Exmouth, on a blustery and balmy autumn night. This is a stacked image consisting of 61 images (each image f4 for 30 seconds at ISO 800). © 2014 Andrew McInnes.
More posts from this road trip to follow this.
Last weekend I went with a mate to San Luis Pass, Galveston, Texas to experiment with molten steel as an element/feature in photo’s, and ended up combining formed steel in the image too 🙂
We had a blast experimenting with this – thanks to Jeremy Caton for his self-sacrificing work “spinning the fire” (his hands are all torn up from the rotating cable – there will be gloves next time). NOTE: The use of this steel-wool technique requires locations that will not be conducive to ignition and subsequent fire!
As this was the first time either of us had tried this technique I have included the initial “practice” images – practice for Jeremy with the steel-wool, and practice for me as I figured the required metering for this molten steel. The final image is the result of the shoot.

Steel-wool experiments 2AM-116079
Canon 7D with Canon 24-105mm f/4L lens. f22 for 5 seconds at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

Steel-wool experiments 2AM-116083
Canon 7D with Canon 24-105mm f/4L lens. f11 for 13 seconds at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

Steel-wool experiments 2AM-116091
Canon 7D with Canon 24-105mm f/4L lens. f8 for 30 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.

Jeep-Wrangler-and-Steel-wool-2AM-116085-1106087
Three image stack.
Canon 7D with Canon 24-105mm f/4L lens. ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
I recently traveled to the beautiful Garner State Park, Texas to photograph night shots which were to include light-painting.
This blog contains two images; though they were the exact same composition, and both taken after twilight, these are two very different images.
The first image is your “standard” light-painting and was taken after humanly visible light had vanished:

Garner State Park 2AM-115918
A single capture with light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
The second image also includes light-painting, and the process of capturing this image was started about 10 minutes after the photo above. However, this second image is a “stacked” image – I took 61 photographs, the first of which was the light-painting on the trees and “Old Baldy” then a further 60 images were taken without any light-painting (the last image is a “blank” which helps reduce the digital noise). Total exposure time equates to a little over 40 minutes. Each image had the exact settings of the first photo posted (above) and I compiled them using software that is dedicated to stacking images.

Garner-State-Park-2AM-115920-115980_stackedImage2
61 image stack for a total exposure time of ~40 minutes.
Each frame/picture had the following settings:
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f5.6 for 40 seconds at ISO 1600.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
I could have (and should have) taken a single, 40 minute long-exposure image as this would also have a slightly different interpretation of the scene. That longer exposure would have had more digital noise but smoother star-trails.
So from the same scene and the same composition we can get multiple interpretations/photographs by using different photographic techniques.
Hope you enjoyed these images 🙂
I have previously posted blogs showing this location (Garner State Park, Texas) in Fall color:
https://2amphotography.wordpress.com/2011/11/09/a-wet-and-colorful-weekend-near-utopia-tx/
The Texas panhandle is a fascinating region and I spend too little time there unfortunately. Recently I fit in a very quick trip to recharge. Here are a few images from that trip.
Prints of my images are available if you click on the Licensing/Purchasing images tab on this blog or click this link: https://2amphotography.wordpress.com/licensingpurchasing-images/
All images Copyright Andrew McInnes/2AM Photography.

Wind Turbine 2AM-114791
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 1/5 second at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.

Cadillac Ranch 2AM-114850
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/2 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114814
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/800 second at ISO 200.
© Andrew McInnes/2AM Photography. All rights reserved.

Capital Peak – Palo Duro Canyon 2AM-114896
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

Capital Peak – Palo Duro Canyon 2AM-114897
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
© Andrew McInnes/2AM Photography. All rights reserved.

Golden-fronted Woodpecker 2AM-30656
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/320 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

White-winged Dove 2AM-30604
Canon 30D with Canon 100-400mm f/4.5-5.6L lens and Tamron 1.4x teleconverter. f5.6 for 1/160 second at ISO 1000.
© Andrew McInnes/2AM Photography. All rights reserved.

The Lighthouse – Palo Duro Canyon 2AM-114886
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/250 second at ISO 400.
© Andrew McInnes/2AM Photography. All rights reserved.

Hoodoo at Capital Peak – Palo Duro Canyon 2AM-114844
A light-painting.
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 30 seconds at ISO 1600.
© Andrew McInnes/2AM Photography. All rights reserved.
That is the end of this little adventure. Thanks for visiting!