Bare-nosed Wombats and Kookaburras at Bendeela Campground in Kangaroo Valley, NSW.

Bendeela Campground 2AM 1468-1469 pano

Bendeela Campground 2AM-001458
Bare-nosed Wombats and Kookaburras at Bendeela Campground in Kangaroo Valley, NSW.
Bendeela Campground 2AM 1468-1469 pano
Bendeela Campground 2AM-001458
An assortment of subjects from the intertidal zone at Pearl Beach, NSW.
Aerial and terrestrial images of Cabarita Beach, Norries Head, Hastings Point, and Cudgera Creek – on the Tweed Coast of NSW.
Hastings Point, NSW – where Cudgera Creek enters the sea after it’s sinuous meander.
An assortment of subjects from the beach and intertidal zones near Iluka, NSW.
A winding path with a turn back – a gastropod trail in the sand.
Cheers.
These images capture a portion of a remnant pocket of subtropical and warm temperate rainforest that is the Minnamurra Forest – within Budderoo National Park near Jamberoo and Kiama, NSW.
Minnamurra Rainforest 2AM 7191-7193_HDR © Andrew McInnes
Cheers 🙂
Ah, I arrived at my destination – Kununurra – after 9 days of driving and bush camping. Here are some images around the greater Kununurra area from the first day or so.
Not far short of Kununurra, and the scenery, topography, and geology changes (after leaving Halls Creek).
Assorted roadside grasses…
The fishing is fantastic in the Kimberley; this is a 1.14 meter Barramundi (released immediately after photo) caught on the lower Ord River.
The ubiquitous estaurine crocodiles (“Saltwater Crocodile”) necessitate care around the water.
Iconic Kimberley vistas…
If you have watched the movie “Australia” then you may recognise this geologic feature, known as ‘House Roof Hill’ – it is the backdrop to the fictional “Faraway Downs” homestead.
This image was captured very early on another glorious Kimberley morning.
The next image is “False House Roof Hill” – neighboring bluffs along the Ord River.
The April 2014 Lunar Eclipse occurred whilst I was in this area. The following image captures part of this eclipse over a Kimberley range.
Lake Argyle is Australia’s largest artificial lake (by volume). It is part of the Ord River Irrigation Scheme and is a sight to behold. Unfortunately these “roadside” images are all I managed to capture of this vast and beautiful feature – I must return and spend time above and on the lake!
Lake Argyle 2AM_3131-3134 panoramic. © 2014 Andrew McInnes.
An alternate view of the Ord River Dam – construction was completed in 1971.
Grass in seed along the dam wall – beautiful April conditions.
On the first day that the National Parks were reopened to the citizens who own them, I drove to the Smoky Mountains to have a few hours in Cades Cove – a truly remarkable location, and a visit I highly recommend.
All images are Copyright © Andrew McInnes/2AM Photography. All rights reserved.
If you wish to purchase prints please visit my website http://andrew-mcinnes.artistwebsites.com/ or send an Email to me.
I feel so very fortunate to see a family of American Black Bears up close and personal – sort of.
Peek-a-boo 🙂
American Black Bear_2AM-000210
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.
Mama bear ascends. Such amazing claws/claw strength!
American Black Bear_2AM-000214
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.
Unlike the assorted yahoo’s who observed the scene with me, I did not approach and stand under the tree!
American Black Bear_2AM-000371
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/125 second at ISO 1000 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.
The fog was very thick when I first arrived. This scene/habitat is very similar to that where I observed the bears.
Cades Cove_2AM-000546
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/5 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.
Morning light flashes the prairie through the fog.
Cades Cove_2AM-000553
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/8 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.
This is not a monochrome/black-and-white treatment. Rather, the fog and rain and mist altered the light to what you see here.
Great Smoky Mountains_2AM-000528
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f22 for 1/13 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.
The lovely winding road that leads to Cades Cove follows a stream for a good portion, and this lone tunnel is always intriguing to me. I stopped to take this image on my way out – the fall leaves are beginning to turn on a show right now!
Great Smoky Mountains_2AM-000079
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 6 seconds at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.
These images are a mere sampling of the wondrous place that is the Great Smoky Mountains National Park. For more of my images of the park, swing over to some of my earlier/archived posts:
https://2amphotography.wordpress.com/2012/01/05/a-bloody-cold-shoot-in-the-mountains/
https://2amphotography.wordpress.com/2011/08/30/serenity-in-the-great-smoky-mountains-national-park/
Cheers,
Andrew
Thirty five hours driving and photographing around Eden (and Brady, Pontontoc, Castell, and Menard), Texas with Ken Zoller.
Although my total trip time was 35 hours, the images in this blog essentially follow the progression of actual shooting time from 11 pm on June 1st through 1 am on June 3rd, though the order of images may not necessarily be strictly as shot.
Pontotoc Ruins 2AM-110394
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens.f5.6 for 46 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Pontotoc Ruins 2AM-110400
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 46 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Pontotoc Ruins 2AM-110391
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f4 for 30 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Pontotoc Ruins 2AM-110390
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Rural Dawn 2AM-110403
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 400.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Hay Bales 2AM-110412
Canon 7D with Canon 24-105mm f/4L lens. f22 for 0.8 seconds at ISO 200.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wild Oats 2AM-110425
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/125 seconds at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wild Oats 2AM-110432
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/200 seconds at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Locust and Thistle 2AM-110423
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Coreopsis 2AM-110452
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/20 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Sunflower and Ladybird Beetle 2AM-110488
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/640 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Sunflower and Ladybird Beetle 2AM-110490.
Canon 7D with Canon 24-105mm f/4L lens. f8 for 1/800 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Thistle and Coreopsis 2AM-110455
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/15 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Thistle and Sunflower 2AM-110468
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 500, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Ranch and Wildflowers and Old Implement 2AM-110546
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Ranch and Wildflowers and Old Implement 2AM-110547
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Ranch and Wildflowers and Old Implement 2AM-110556
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/125 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Wire 2AM-110495
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Lake 2AM-110499
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/15 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Sky 2AM-110541
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/200 second at ISO 200, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Fence 2AM-110506
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Fence 2AM-110507
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/50 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Fence 2AM-110508
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/50 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Yucca 2AM-110503
Canon 7D with Canon 24-105mm f/4L lens. f20 for 1/40 second at ISO 400, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Wildflowers and Yucca 2AM-110505
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Ranch Wildflowers and Trees 2AM-110522
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/40 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Ranch Wildflowers and Fence 2AM-110532
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/25 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Ranch Wildflowers and Trees panorama
Two-image stitch. Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/30 second at ISO 100, handheld.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Pontotoc Shed 2AM-110573
Canon 7D with Canon 24-105mm f/4L lens. f11 for 1/60 second at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Pontotoc Shed 2AM-110588
Canon 7D with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Pontotoc Ruins 2AM-110605
Light direction by Andrew McInnes (exterior light painting by Andrew McInnes, interior light painting by Ken Zoller).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 20 seconds at ISO 100.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Presidio de San Saba 2AM-110607
Illuminated entirely by waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 200.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Presidio de San Saba 2AM-110622
Light direction by Andrew McInnes – interior light painting by Andrew McInnes, exterior walls light painting by Ken Zoller.
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 8 seconds at ISO 640.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Presidio de San Saba 2AM-110624
Light by Andrew McInnes and waxing gibbous moon (2 days before full moon).
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 8 seconds at ISO 640.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Presidio de San Saba 2AM-110625
Waxing gibbous moon.
Canon 7D with Canon 24-105mm f/4L lens. f5.6 for 8 seconds at ISO 640.
Copyright © Andrew McInnes/2AM Photography. All rights reserved.
Thanks for taking this photo journey with me!
My images are available through my website:
http://andrew-mcinnes.artistwebsites.com/
Per a previous “encouragement” by my photography mentor – Wyman Meinzer – to see the beauty where I am, I have been trying to shoot several times each week, regardless of the weather, wind, and anthropomorphic elements cluttering the scene. I figure I better just run with what there is to capture. Here is an assortment which I hope you enjoy.
I reckon you weren't expecting this though! Perhaps Deere & Company would like this one for their advertising? Wishful thinking.
Same area as above but this time I was going for the "African Serengeti" feel (ignore the modern looking "huts").
The view from our back deck/porch - it seems it hasn't been calm for months. The glow on the clouds is a result of Texas City petrochemical plants - thankfully we are located upwind of this.
Nearby Brazoria National Wildlife Refuge (BNWR). This area was, until very recently, dry enough to run a tractor and plow through. However, the Houston area has received in excess of 11 inches of rain for the first 8 weeks or so of 2012.
Endangered Kemp's Ridley sea turtle in rehabilitation at Texas A&M University at Galveston's Sea Life Facility.
Definitely NOT the Serengeti. This is the same shrimp boat featured in a previous blog ("Texas City Dusk..."). I was limited on time and the clouds were starting to look wonderful so chose to re-shoot the trawler.
Atmospheric clouds - as opposed to the cloud of swarming mosquitos as the missus' and I tried to enjoy a cold beverage watching these clouds and the dusk.
I took this picture on Valentine's Day of two red-eared slider's "smooching" (please indulge my foray into anthropomorphism) - must be a real "toe-curler" of a kiss (check out the right-rear foot of the big one on the right).