Day 8 – Fiordland and Cascade Creek, New Zealand – December 2015

Ah, to have more time to explore and be awed by Fiordland National Park! And a revisit in late winter/early spring is in order too.
We ventured along the Te Anau – Milford Highway, to hike the Key Summit, a day-hike portion of the Routeburn Track, beginning at The Divide. Spectacular!

Here is a portion of the view from the end of Key Summit.

Routeburn Track 2AM 0796-0800 pano

Routeburn Track 2AM 0796-0800 panorama. ©Andrew McInnes

 

Hiking (“tramping” in NZ) up to Key Summit.

Routeburn Track 2AM-000788

Routeburn Track 2AM-000788. ©Andrew McInnes

 

A loo with a view – sort of.

Routeburn Track 2AM-000814

Routeburn Track 2AM-000814. ©Andrew McInnes

 

Driving into Fiordland National Park in the morning we noticed a field of lupins and thought that it would be worth a look on the way out that evening. What a beautiful scene it turned out to be!

This is Cascade Creek, along the Te Anau-Milford Hwy.

Cascade Creek 2AM 0827-0832 Pano

Cascade Creek 2AM 0827-0832 Panorama. ©Andrew McInnes

Cascade Creek 2AM 0842-0843 pano

Cascade Creek 2AM 0842-0843 panorama. ©Andrew McInnes

Cascade Creek 2AM-000819

Cascade Creek 2AM-000819. ©Andrew McInnes

Cascade Creek 2AM-000844

Cascade Creek 2AM-000844. ©Andrew McInnes

Cascade Creek 2AM-000863

Cascade Creek 2AM-000863. ©Andrew McInnes

Cascade Creek 2AM-000865

Cascade Creek 2AM-000865. ©Andrew McInnes

Cascade Creek 2AM-000889

Cascade Creek 2AM-000889. ©Andrew McInnes

Cascade Creek 2AM-000835

Cascade Creek 2AM-000835. ©Andrew McInnes

Cascade Creek 2AM-000818

Cascade Creek 2AM-000818. ©Andrew McInnes

I hope you like lupins 😉
Thanks for viewing my images.

Cheers 🙂

Posting #10 of my road trip from Fremantle to Kununurra, Western Australia.

A collection of images from Lake Kununurra, Lily Creek Lagoon, Ivanhoe Crossing, and the iconic Cockburn Ranges – all proximal to Kununurra, Western Australia.

A delightful boat ride up Lake Kununurra – the dog enjoyed the trip, especially the breeze in its face.

Lake Kununurra 2AM-003377. © 2014 Andrew McInnes.

Lake Kununurra 2AM-003403. © 2014 Andrew McInnes.

Lake Kununurra 2AM-003421. © 2014 Andrew McInnes.

Lake-Kununurra-2AM-003422

Lake Kununurra 2AM-003422. © 2014 Andrew McInnes.

A couple of the numerous and delightful inlets along the way.

Lake Kununurra 2AM-003425. © 2014 Andrew McInnes.

Lake Kununurra 2AM-003435. © 2014 Andrew McInnes.

The exposed geology is fascinating and stunning.

Lake Kununurra 2AM-003437. © 2014 Andrew McInnes.

The Kimberley region has numerous sites with indigenous rock art; this particular location is very near to Kununurra.

Aboriginal Rock Art 2AM-003475. © 2014 Andrew McInnes.

Aboriginal Rock Art 2AM-003480. © 2014 Andrew McInnes.

Aboriginal Rock Art 2AM-003483. © 2014 Andrew McInnes.

Aboriginal Rock Art 2AM-003485. © 2014 Andrew McInnes.

Aboriginal Rock Art 2AM-003487. © 2014 Andrew McInnes.

The view from the boat ramp on Lily Creek where we began and concluded this trip up Lake Kununurra.

Lily Creek Lagoon 2AM-003504. © 2014 Andrew McInnes.

Lily Creek Lagoon with ‘Sleeping Buddha’ in the background.

Lily Creek Lagoon 2AM-003502. © 2014 Andrew McInnes.

Off on a road trip now, just outside of Kununurra…

Highway Outcrop 2AM-003088. © 2014 Andrew McInnes.

Highway Outcrop 2AM-003079-003082 panorama © 2014 Andrew McInnes.

A couple of images of vehicles crossing a small creek on El Questro where we stopped off for a refreshing dip (swim).

El Questro 2AM-003308. © 2014 Andrew McInnes.

El Questro 2AM-003319. © 2014 Andrew McInnes.

Not far past El Questro, on the famed Gibb River Road, is the Cockburn Range which is adjacent to the iconic Pentecost River but the river was flowing too much for us to make a crossing. There was an unfortunate couple stranded during their attempt at crossing – their front axle fell into a deeply eroded hole resulting in a cracked oil-pan or something similar, necessitating a tow out of these croc-infested waters.

Cockburn Ranges 2AM-003366-003368 panorama. © 2014 Andrew McInnes.

Having captured this late-afternoon image of a man fishing for barramundi with a live bait on a hand line at the fast-flowing Ivanhoe Crossing, Kununurra, I moved on to shoot other nearby compositions. This area is accessible for the numerous salties of the Ord River and is also thick with barramundi. Soon after I moved I saw this fisherman in a mighty tug-of-war battle that, with the aid of the deep and rapidly flowing water, soon had him precariously close to taking an involuntary bath! Ultimately he was saved the ignominy as his large gauge hook was straightened, thus losing whatever was on the end of the line!
The Ivanhoe Crossing is no longer open to vehicles.

Ivanhoe Crossing 2AM-003178. © 2014 Andrew McInnes.

 

The next blog posting will contain images from Marlgu Billabong and Wyndham.
Until then, cheers.

 

 

Posting #1 of my road trip from Fremantle to Kununurra, Western Australia.

I recently embarked on what turned out to be a quite a drive with the purpose of visiting an old mate from my teenage years whom I have not seen for more than 20 years! My old vehicle (1984 Toyota Hilux diesel) logged 9,193 km (5,712 miles) doing my return trip from Fremantle – Kununurra – Fremantle, Western Australia.

With an esky full of water and assorted sandwich-construction material, plus spare diesel, oil, etc., I essentially drove until it was time to find a bush-camp for the night. I’d awake early and continue northward, repeating as required until I arrived at Kununurra.

Subsequent blog postings will present more images from the trip to the north of this bloody big state.
Theses images document my travels up and back – I hope you will find them appealing.

 

It isn’t long until these emblematic signs present themselves, with varying fauna presented.

Wildlife-Sign-on-Highway-2AM-002144

Iconic Aussie Wildlife (sans koala which is not native to WA) – Indian Ocean Road. © 2014 Andrew McInnes.

 

Having previously visited and photographed The Pinnacles (click here to view these) at Nambung National Park, near Cervantes, I chose to revisit and shoot more images from this amazing ‘moonscape’ before moving on and finding a place to camp for the night.

The-Pinnacles-2AM-002149

Early evening light bathes a portion of the calcium carbonate structures at The Pinnacles Desert. © 2014 Andrew McInnes.

 

The-Pinnacles-2AM-002180

This image contains part of the Milky Way, plus the Southern Cross, a meteor, and Magellanic Clouds which are irregular dwarf galaxies visible from the southern hemisphere. © 2014 Andrew McInnes.

 

The-Pinnacles-2AM-002187

© 2014 Andrew McInnes.

 

The-Pinnacles-2AM-002190

A long exposure for pin-wheel stars. © 2014 Andrew McInnes.

 

This leaning tree is but one of many around the Greenough area. These River Gum/eucalyptus trees (Eucalyptus camaldulensis) have horizontal trunks due to exposure to strong and near-continuous southerly winds.

Leaning-Tree_Greenough-2AM-002267

Leaning Tree of Greenough. © 2014 Andrew McInnes.

 

Should you find yourself anywhere near Geraldton or Walkaway, I thoroughly recommend a visit to Ellendale Pool, be it for a day trip or a place to camp – as I did for an evening.

Ellendale-Pool-2AM-002352

This is a light-painting during the blue-hour of dusk.  © 2014 Andrew McInnes.

 

Ellendale-Pool-2AM-002427

Another light-painting, this time a little later in the evening. © 2014 Andrew McInnes.

 

Ellendale-Pool-2AM-002336

Ahhh, a rope swing – top setting for it! © 2014 Andrew McInnes.

 

Ellendale-Pool-2AM-002440

Morning’s reflection. © 2014 Andrew McInnes.

 

Lovely spot to set up a caravan!

Ellendale-Pool-2AM-002304

A “room with a view”. © 2014 Andrew McInnes.

 

The ubiquitous and raucous Little Corella

Little-Corella-2AM-004159

Little Corellas in flight. © 2014 Andrew McInnes.

 

Little-Corella-2AM-004210

Little Corella. © 2014 Andrew McInnes.

 

Little-Corella-2AM-004332

Little Corella. © 2014 Andrew McInnes.

 

Hope you enjoyed the early portion of my trip, if vicariously 🙂

More images from the trip to follow soon.

 

Cheers,

Andrew

 

 

 

A few quick photo shoots in Halifax and surrounds – Nova Scotia, Canada.

I recently undertook an express visit with my wife to visit friends who were staying in Halifax for a period. I only managed to get out and photograph on a few occasions but was enamored of the area. Magnificent vistas, abundant maritime history, so ripe with scenery and scenes; I would have thoroughly enjoyed more time exploring and photographing. Nevertheless, here is a sampling of images from the very few times I was able to go walkabout. I hope you enjoy!

This is the first image I captured  – I love the posture, gait, and apparent enthusiasm of the youngster; the dog’s tail; and the fact that the father had a bright red sweater on (excellent for ‘pop’ of people out in nature).

Halifax 2AM-000802

Halifax 2AM-000802
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f4.5 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A chicane of sorts …

Halifax 2AM-000834

Halifax 2AM-000834
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f5.6 for 1/2000 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Although we witnessed some glorious fall color, it was the same old situation of “you should have seen it last week!” 🙂
the next two images include a birch tree – the bark and patterning thereof fascinated me.

Halifax 2AM-000851

Halifax 2AM-000851
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/800 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000860

Halifax 2AM-000860
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f8 for 1/400 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Definitely much color still available around the area, even if the leaves had fallen.

Halifax 2AM-000887

Halifax 2AM-000887
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4.5 for 1/1600 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early in our visit our hosts took me out for a brief but wonderful excursion to Herring Cove. Although very overcast and gloomy, the light was lovely for scenes that didn’t include much, if any, sky. After this mini-hike it was time for lunch so we stopped in at “Now We’re Cookin’!” where I had the superb gastronomic pleasure of a dozen perfectly fried and ultra-delicious “Digby Clams.”

Here are a series of images from the Herring Cove Provincial Park Reserve from that visit:

I call this image “The Admiral” – hopefully you can deduce why 🙂  I captured one of our hosts overlooking a temporarily tranquil Atlantic Ocean – it was a fleeting opportunity to get the shot, so I did not have time to adjust the camera settings, hence the very slow shutter speed for a hand held shot. Thankfully I managed to be stable enough for a sharp image.

Herring Cove 2AM-000977

“The Admiral” – Herring Cove 2AM-000977
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Early into the gorgeous walk I found this scene and liked the various elements so much – hence this image to capture it 🙂

Herring Cove 2AM-000976

Herring Cove 2AM-000976
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/13 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Loved these rosehip berries!

Herring Cove 2AM-000982

Herring Cove 2AM-000982
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Herring Cove 2AM-001009

Herring Cove 2AM-001009
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Same general scene, different interpretation. My photographic mentor drummed into me to shoot and shoot and shoot a scene from numerous angles/interpretations, with a strict caveat that each composition/interpretation must be appealing to me, not just shooting a bunch and ‘hoping’ one of them will be ‘good’.

Herring Cove 2AM-001011

Herring Cove 2AM-001011
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A portion of the walking trail.

Herring Cove 2AM-001027

Herring Cove 2AM-001027
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

More of the meandering walking trail and a very typical scene of this splendid coast.

Herring Cove 2AM-001025

Herring Cove 2AM-001025
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 1000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

’twas a very blustery gloomy day and the smart one here (that would be me 🙂 ) decides to take a multi-hour exploratory walk around the Halifax waterfront to take in some of the history of this place. When I say it was blustery, it was really blowing! There is a bit of a tale from my home country that goes something like this: “Tie a brick onto a long piece of line and hang it so that it is free to swing. If the brick/string is vertical, there isn’t enough wind to go sailing; If the brick/string are horizontal, then perhaps there is a little too much wind for a sail; Anywhere in between = just right for a sail.” Well, the brick would have been darn near horizontal whilst I wandered around that particular day 😉
This block and blue line appealed to me as they hung and swung, suspended above the dark cold water. Hope you enjoy it too.

Halifax 2AM-000914

“Block and Blue” – Halifax 2AM-000914
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/160 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

I find the marine flora and fauna of cold water habitats fascinating, and Nova Scotia in early winter did not disappoint me.This image, and the mussel image following it, were taken on a bucking and rolling floating dock that was doing its non-level best to ensure that either I fell in the cold cold water, or dropped the camera into said water, or fail to get a sharp image of the subjects that were interesting me. I am very thankful that the 5D Mark III handles high ISO noise so bloody well!

Halifax 2AM-000931

Halifax 2AM-000931
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/40 second at ISO 3200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-000937

Halifax 2AM-000937
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Some scenes need capturing, despite the quality (or lack thereof) of available light; I thought this public art installation the Halifax Waterfront Boardwalk to be such a scene. This public art installation is a collaboration between Chris Hanson and Hendrika Sonnenberg. One of the lampposts (at rear in this image) is peeing in the ocean. The other two are on their way home after drinking too much – the closest has stumbled and fallen, the other is bending over to check if all is okay with the fallen one.

Halifax 2AM-000946

“Drunken Street Lights” – Halifax 2AM-000946
Canon 5D Mark III with Canon 24-105mm f/4L lens. f8 for 1/30 second at ISO 5000.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Boardwalk boards (and nails)

Halifax 2AM-000958

Halifax 2AM-000958
Canon 5D Mark III with Canon 24-105mm f/4L lens. f4 for 1/100 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Whilst she isn’t particularly old, this yacht is reminiscent of a time apparently long gone, when vessels actually had lovely lines! Plus, what’s not to like about bowsprits, jib-booms, bowlines, and vertically seamed sails with stitched lines along the leech?

Halifax 2AM-000968

Halifax 2AM-000968
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/125 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A new day, and, well, there were some trees still shedding their colorful leaves, and a stunningly sky, so why not?

Halifax 2AM-001342

Halifax 2AM-001342
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/3200 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Halifax 2AM-001400

Halifax 2AM-001400
Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f8 for 1/2500 second at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Dusk was rapidly descending on a bloody chilly day when I happened upon this lovely little yawl at rest on its mooring in a secluded and tranquil inlet.

Halifax 2AM-001083

Halifax 2AM-001083
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Sometimes “hard to figure out at first” is intriguing – to me at least 🙂

Halifax 2AM-001084

Halifax 2AM-001084
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A revisit to Herring Cove because the light was “cleaner.”

Herring Cove 2AM-001036

Herring Cove 2AM-001036
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/15 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A little ‘overflow’ creek from Powers Pond to the Atlantic Ocean (via Herring Cove).

Herring Cove 2AM-001043

Herring Cove 2AM-001043
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/10 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To me these next two images typify coastal fishing hamlets.

Herring Cove 2AM-001038

Herring Cove 2AM-001038
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/20 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

To my eye, when strolling around town, this image was very appealing. Initial concerns about it being “too busy” rapidly dissipated – likely due to the location of the colored elements, the reflections, and the leading line of the dock. Perhaps I am mistaken?

Herring Cove 2AM-001108

Herring Cove 2AM-001108
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/250 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Speaking of reflections… here are two more from the walking trail at Herring Cove Provincial Park Reserve.

Herring Cove 2AM-001115

Herring Cove 2AM-001115
Canon 7D with Canon 100-400mm f/4.5-5.6L lens. f16 for 1/60 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

A stunning blue sky, granite, and grass.

Herring Cove 2AM-001062

Herring Cove 2AM-001062
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

My final image from Herring Cove showing one side of the entrance to Herring Cove; the great blue yonder is the fabled ornery Atlantic.

Herring Cove 2AM-001066

Herring Cove 2AM-001066
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/30 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

On the coldest day of the winter thus far (it having snowed the first snow of the season the previous night), we ventured on a quick trip down to Peggy’s Cove – a gorgeous sunset, some ice in the rocky depressions of the granite headland, and it was blowing stink, and we were right on the edge of the Atlantic. Not blowing quite strong enough for there to be whitecaps in the toilet, but darn near!
The following images were all captured within roughly one hour, and again, I present 4 images with the lighthouse in it, each sufficiently appealing to me.

There were some strange light behavior happenings last evening during dusk at Peggy’s Cove – one with my lens glare (this image), the other some neat atmospherics (the next image).

Peggy's Cove 2AM-001471

Peggy’s Cove 2AM-001471
Canon 5D Mark III with Canon 24-105mm f/4L lens. f16 for 1/200 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.


The three of us who were there together all were mesmerized by the vertical shaft of light – normally I expect to see crepuscular rays, but this instance had only the vertical element. As it was developing I was scampering around trying to find any element for foreground interest. “Beam me up” or  perhaps a 
“batman-like beam.” 😉

Peggy's Cove 2AM-001488

Peggy’s Cove 2AM-001488
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1.6 seconds at ISO 100.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001474

Peggy’s Cove 2AM-001474
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/25 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Peggy's Cove 2AM-001485

Peggy’s Cove 2AM-001485
Canon 5D Mark III with Canon 24-105mm f/4L lens. f22 for 1/8 second at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

And to wrap up this visit to Halifax, Nova Scotia – Canada, here is a light-painting of the lighthouse at Peggy’s Cove – the primary purpose of the quick evening trip to Peggy’s Cove. I hope you enjoy this light-painting image – is was certainly the most difficult to make: my wife and our host said I looked a bit like a mountain goat running around over the rocks and boulders in the dark whilst painting the scene with my trusty Q-beam II Million power flashlight.

Peggy's Cove 2AM-001515

A light-painting – Peggy’s Cove 2AM-001515
Canon 5D Mark III with Canon 24-105mm f/4L lens. f5.6 for 30 seconds at ISO 400.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

 

 

 

 

 

 

A few hours in the Great Smoky Mountains National Park, Tennessee.

On the first day that the National Parks were reopened to the citizens who own them, I drove to the Smoky Mountains to have a few hours in Cades Cove – a truly remarkable location, and a visit I highly recommend.

All images are Copyright © Andrew McInnes/2AM Photography. All rights reserved.
If you wish to purchase prints please visit my website http://andrew-mcinnes.artistwebsites.com/ or send an Email to me.

 

I feel so very fortunate to see a family of American Black Bears up close and personal – sort of.

Peek-a-boo 🙂

American Black Bear_2AM-000210

American Black Bear_2AM-000210
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Mama bear ascends. Such amazing claws/claw strength!

American Black Bear_2AM-000214

American Black Bear_2AM-000214
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/400 second at ISO 800 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Unlike the assorted yahoo’s who observed the scene with me, I did not approach and stand under the tree!

American Black Bear_2AM-000371

American Black Bear_2AM-000371
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f5.6 for 1/125 second at ISO 1000 (handheld).
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

The fog was very thick when I first arrived. This scene/habitat is very similar to that where I observed the bears.

Cades Cove_2AM-000546

Cades Cove_2AM-000546
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/5 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

Morning light flashes the prairie through the fog.

Cades Cove_2AM-000553

Cades Cove_2AM-000553
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 1/8 second at ISO 200.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

This is not a monochrome/black-and-white treatment. Rather, the fog and rain and mist altered the light to what you see here.

Great Smoky Mountains_2AM-000528

Great Smoky Mountains_2AM-000528
Canon 7D with Canon 100-400MM f/4.5-5.6L lens. f22 for 1/13 second at ISO 500.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

The lovely winding road that leads to Cades Cove follows a stream for a good portion, and this lone tunnel is always intriguing to me. I stopped to take this image on my way out – the fall leaves are beginning to turn on  a show right now!

Great Smoky Mountains_2AM-000079

Great Smoky Mountains_2AM-000079
Canon 5D Mark III with Canon 24-105MM f/4L lens. f22 for 6 seconds at ISO 800.
© Andrew McInnes/2AM Photography. All Rights Reserved.

 

 

These images are a mere sampling of the wondrous place that is the Great Smoky Mountains National Park. For more of my images of the park, swing over to some of my earlier/archived posts:

https://2amphotography.wordpress.com/2012/01/05/a-bloody-cold-shoot-in-the-mountains/
https://2amphotography.wordpress.com/2011/08/30/serenity-in-the-great-smoky-mountains-national-park/

 

Cheers,

Andrew

 

 

 

 

Two days, two nights, and 942 miles in Central Texas.

‘Tis wildflower season in Texas! I was fortunate to have a few days and nights to spend traipsing around the Llano area. Truly beautiful, especially after the brutal drought of 2011. Thanks to Ken Zoller for his scouting and company during parts of this shoot.
Enjoy.

“Good Morning”
Enchanted Rock State Natural Area. Canon 7D with Canon 10-22mm f/3.5-4.5 lens. f22 for 1/100 second, hand-held. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Spiderwort”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f8 for 1/20 second and Kinko extension tubes, Manfrotto tripod and ball-head. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Claret-cup cactus”
Canon 30D and Canon 100-400mm f4.5-5.6 lens and Kenko extension tubes. f11 for 1/4 seconds, Manfrotto tripod and ball-head. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Bluebonnet Highway”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f8 for 1/400 second on Manfrotto tripod and ball-head. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Rural Road”
Canon 7D with Canon 17-40mm f4 lens. f13 for 1/125 seconds, hand-held. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Rusty Barn”
Canon 7D with Canon 17-40mm f/4 lens. f16 for 1/50 second, hand-held. ISO 100.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Cactus and Bluebonnets”
Canon 30D with Canon 100-400mm f4.5-5.6 lens and Manfrotto tripod and ball-head. f11 for 1/8 second. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Stone fence and Poppies”
Canon 7D and Canon 17-40mm f4 lens. f13 for 1/125 seconds, hand held. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“White Poppy”
Canon 30D with Canon 100-400mm f4-5.6 lens and Kenko extension tubes. f11 for 1/200 second, Manfrotto tripod and ball-head. ISO 200.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Hay Baby, nice rack!”
Texas Longhorn cattle.
Canon 30D with Canon 100-400mm f4-5.6 lens. f7.1 for 1/100 second, Manfrotto tripod and ball-head. ISO 500.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Unexpected Interaction”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f11 for 1/320 second, hand-held. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Poppies and Fence”
Canon 7D with Canon 17-40mm f4 lens. f14 for 1/160 second, hand-held. ISO 100.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Sandy Creek”
Canon 30D with Canon 100-400mm f4.5-5.6 lens. f7.1 for 1/40 second, hand-held. ISO 800.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

“Stockyards” – a light-painting.
Canon 7D with Canon 10-22mm f3.5-4.5 lens. f4.5 for 51 seconds and Manfrotto tripod and ball-head. ISO 400.
Copyright Andrew McInnes/2AM Photography – all rights reserved.

 

 

Hope you liked the journey. My images are available through my website:
http://andrew-mcinnes.artistwebsites.com/

 

 

 

 

Some images from March, 2012

I haven’t been able to get out and about as much as I would like to lately. However, here is a (rather eclectic) assortment of images taken during March, 2012.

Texas Bluebonnets heralding Spring.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f18 at 1/25 second - hand-held. ISO 400.

 

Ranch-road bridge after the storm, near Chappell Hill, Texas.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f11 at 1/25 second. ISO 400.

 

Two Curves - near Chappell Hill, Texas.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f11 at 1/40 second. ISO 250.

 

Bradford Pear trees and barn. Great Smoky Mountains foothills - Tennessee.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f11 at 1/320 second. ISO 200.

 

More Bradford Pear trees. Great Smoky Mountains foothills - Tennessee.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f11 at 1/100 second. ISO 640.

 

Barn signage. Great Smoky Mountains foothills - Tennessee.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f11 at 1/160 second. ISO 640.

 

Barn. Great Smoky Mountains foothills - Tennessee.
Canon 7D with Canon EF-S10-22mm f/3.5-4.5 USM lens. f11 at 1/200 second. ISO 200.

 

Back in Texas - between Anahuac and High Island.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f14 at 1/500 second - hand-held. ISO 250.

 

Red-winged Blackbird on papyrus plant in our yard (I am a bird lover after all).
Canon 7D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f5.6 at 1/250 second. ISO 400.

 

Red-winged Blackbird on golden dewdrop plant in our yard.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f5.6 at 1/80 second. ISO 500.

 

Let’s finish with a series of “baby” images:

What's not to like about babies and their little feet and toes?
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f6.3 at 1/4000 second - don't ask me why ( I had just gone from indoors to outdoors and hadn't adjusted camera settings yet). ISO 800, hand-held. This image has had the background cloned to black for effect - extremely rare that I would alter an image other than standard image processing.

 

Daddy's big toe = baby's foot.
Canon 30D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f8 at 1/320 second - handheld, ISO 1000 .

 

Mother's hand and baby's foot.
Canon 7D with Canon EF100-400mm f/4.5-5.6L IS USM lens. f5 at 1/320 second - handheld. ISO 1600.

A reminder that my images are available for sale through my website:

http://andrew-mcinnes.artistwebsites.com/